| Benchmarks | Benchmarks (Anthropoetics XXIII, no. 1) |
| By Marina Ludwigs and Elisabet Dellming | Introduction to the 2017 Conference Issue |
| By Bjorn Beijnon | Enactive Cinematic Perception: The Cinema as Exploration of the (Re)Presented World |
| By Elisabet Dellming | Imagination, Irreality, and the Constitution of Knowledge in Penelope Fitzgerald's The Blue Flower |
| By Ian Dennis | Songs of Leonard Cohen: Postmodernity, The Victimary, Irony, A Blaze of Light |
| By Giles Whiteley | “Inverted Rites”: Reading Girard reading Pater reading Shakespeare |
| By Joakim Wrethed | The Phenomenology of Representation, Ritual, and the Sacred in Tom McCarthy's Remainder |
| By Magdalena Złocka-Dąbrowska | Generative Anthropology and the Mahabharata: Cognition, Narrative, Culture |