Author: staceymeeker

  • Expression, “Representation,” and Animal Mind

    Ever since Peter Singer’s 1975 treatise Animal Liberation appeared, the battlefields contested in what is now called Animal Studies have been attracting intellectual soldiers in spectacularly growing quantities.[1] Nowadays, most dinner guests arrive at one’s door with opinions derivative of a conviction that humans treat nonhuman animals, despite their natural goodness and helpless innocence, exceptionally badly. Pervading the field is a heated, inelastic tension between the common sense of human self-respect and the plea that we respect nonhuman animals and their minds.[2] The conversationalist recruit who wishes to defend human exceptionalism may do so only furtively, aware that the very idea of it strikes many people—from self-identified animal lovers who consume bacon anyway to disciplined followers of vegan philosophy and dietary codes—as heresy.[3] Does originary thinking have any dialectically tension-reducing intervention to stage on this ethical and intellectual battlefield?

    In the fields of struggle just sketched, a cavernous silence occupies the empty space between ideas of “empirical concepts” (Millikan, “How” 136), “animal knowledge” (Bonjour 322), “perceptual mindreading” (Bermudez in Lurz), “proto-concepts” (Proust), “perceptual representations” (Burge), non-conceptual content, and other kinds of “mental representation” confidently ascribed to signal-emitting nonhumans; and—across the great divide, the idea that there are features of cognition acceptably attributed to humankind alone—such as “semantic holism” (Millikan 136), “triangulation with other subjects” (Campbell 269; see also Davidson 12ff.), “discursive knowledge” (Lehrer 638), and “creative presupposition” (Carruthers). To the extent that the originary hypothesis minimizes the difference between our earliest ancestors and their ancestral primate kin, the Darwinian gradualists who dominate animal studies[4] ought to find it congenial.[5] That they ought to find it congenial is the good news. The bad news is that only a tiny minority know the good news. Those who are developing generative anthropology live the absurdity of riding a cruise liner in numbers so few that a lifeboat would do. Efforts to get more people on board are ongoing.

    I believe the 1994 volume Can We Understand Animal Minds? by British philosophers Michael Bavidge and Ian Ground remains, almost thirty years later, particularly pertinent to the possibilities of generative anthropology’s intervening in questions about human-animal ecology. I believe that partly because in the volume, Bavidge and Ground do not claim that animals possess something really like human language. Let me qualify and digress at once. Eric Gans has consistently, even impatiently, rejected the contemporary tendencies toward belief in the likeness of animal “language” to that of humans.[6] He has rejected belief in the value of attempts to find in animal signalling precursors of language.[7] So it is reassuring, to some extent, that Bavidge and Ground are similarly willing to describe nonhuman animals as languageless: many powerful philosophers and ethologists do stop short of ascribing “language” to nonhuman animals (see for example Jamieson in Lurz, or even Millikan, “Thoughts” 71ff.). However, little of significance has changed, for the debate has quietly shifted from the question of language to the question of “cognition” and the power, sophistication, respectability, value-conferring status and the like of nonhuman animal “cognition.” The current question is whether language lets humans know anything truly significant that other animals without language do not or could not possibly know.[8]

    To reduce the current tendency to a skeleton: since animals can know “the environment” and humans are nothing but parts of “the environment,” the assumption is that there is nothing significant that humans could possibly know that nonhuman animals do not also know. It is “the environment” or “Nature” that forms the scene of human history; and all that is real, is “Nature.” From a point of view informed by generative anthropology, we might say that “Nature” thus conceived has nothing in it of “the scenic.” What follows for such thinking is that it becomes routine to discount or underplay or both the significance of differences between human and animal cognition—at least wherever a reductive materialist empiricist rules the roost. The work of Hilary Kornblith represents this tendency:

    While the human ability to reflect allows us to form beliefs in ways which other creatures cannot, they should be understood as simply one more means to achieve the very kind of state which we have in common with other animals—namely, knowledge—rather than producing a state which is somehow different in kind (“Reply” 340).

    The only kind of “knowledge” that matters is that which allows us to survive in the physical environment, as other animals survive primarily in the physical environment. From the outset, simply ruled out and expelled is the possibility of an environment conceived as one in which symbols and signs, the raw material of cooked culture, have an ontological level of their own.

    The other reason for the pertinence of Bavidge and Ground’s 1994 book, beyond their comfort with the idea that animals are languageless, is that, meanwhile, and more positively, working in the tradition of Wittgenstein, they deploy the concept of “expression” to argue that acceptance of the reality of animal mind should shape the animal sciences.[9] They define expression as “. . .the way in which subjective points of view manifest themselves in the world” (148). Their chapter “The Expressive World” (145-65) opens with a thought experiment: imagine intelligent aliens passing by in space, looking down on earth and recording observations. We wave frantically at the aliens. They see the bodily movements that we would call our waving, but they do not see them as we do, as expressive bodily movements—they “catalogue” them according to their own sciences (147).[10] The aliens thus miss the objective fact that we (humans) express ourselves and have points of view. Why “objective” fact? Bavidge and Ground deploy this paradox: “Because expression manifests a point of view, the truth about it is independent of points of view” (148). If we don’t recognize the expressiveness of much nonhuman animal life, are we to animals as the aliens were to us? Their answer is yes. We do well not to miss the expressiveness of animal bodies, regardless of the fact they do not possess anything like human language.[11] The thesis we shall pursue in what follows is this: Bavidge and Ground’s investment in the value of the concept of expression, despite first appearances, is an investment compatible with originary thinking.

    To connect Bavidge and Ground’s work to originary thinking, let us scrutinize the single passage in their book that is relevant to the question of the origin of language. It helps to know in advance that the antecedent of the “this” with which the passage opens (what this suggests) would be something like “the ineradicability of the bodily quality of highly conventionalized expressive behaviour” (my paraphrase).

    What this suggests is that the conventions that constitute language arise not from rules devised to map reality in a mental medium, but from the ever-increasing modulation of expressive interactions. If we want to regard language use as part of, and not in opposition to, the natural order, we should try to see language, fundamentally, not as a species of representation, but as a kind of ultra-modulated expression. (154)

    A formulation such as “the conventions that constitute language” jostles against what we might expect to be the correlative phrase in originary thinking: the signs that constitute language. The signs of language are conventional to the extent that they are arbitrary; to that extent, there is no cause of dissonance between Bavidge and Ground and the notes on animal communicativeness most frequently sounded by Eric Gans. But Bavidge and Ground would include “behavioural” conventions, since they are investing in the concept of expression, including bodily expression. Moreover, the notion of behavioural conventions links to the antecedent of “this” in the pronoun’s opening “What this suggests.”

    Now in the immediate context, Bavidge and Ground have been analyzing “agency,” one of four features of the expressive life that they emphasize. The fact that expression is a manifestation of agency becomes more visible, they have claimed, when we recognize that creatures modulate their expressions, and such modulations are best located on a spectrum extending from the pole of “spontaneous” to that of “forced” (152). In its inseparability from embodied agency, expression connotes freedom. The connotation of freedom will almost certainly provoke deterministic behaviourists in the animal sciences—with their assumption that “physical agency” is a self-contradiction—into rejecting the concept of expression altogether so as to undergird their prohibition against anthropomorphism (151).[12] Bavidge and Ground believe that the anxieties motivating such rejections are nourished by “a clandestine Dualism of determined system and ‘free will’” (151). And they counsel us to jettison “the glib dualist contrast between active, willful behaviour and passive will-less bodily events”; we should instead learn to “. . . see agency as a concept that allows of degrees and a reality which has evolved from the appetitive life of the animal kingdom” (152).

    Before considering the dichotomy of spontaneous and forced expression, let us linger over “expression” itself—partly because it has been given very little attention in the work of Gans and the Chronicles of Love and Resentment, which are far more comfortable with and invested in the concept of “representation.” I quote Bavidge and Ground again: “The distinction between spontaneous and forced, which does apply to expressions, runs parallel to the active/passive distinction, but is very different. It refers to the pressures and compulsions of social interactions which are different from the causes and outcomes of physical processes” (152) [28]. In passing, a suggestion: we might say that considering the originary sign as discovery, the expressiveness of its emission was “spontaneous”; considering the originary sign as “invention,” the expressiveness of its emission was “forced.” That we cannot place the emission at one extreme of the forced/spontaneous spectrum as opposed to the other suggests one reason that the specifically scenic linguistic expressivity of human animals operates at an ontological level apart from (or “above”) that of nonhuman animals. That may be one reason Bavidge and Ground indicate their awareness of a boundary leapt over in the phrase “a kind of ultra-modulated expression” (emphasis added): the phrase appears to concede both that the difference may be one of kind and that the modulation would have been so intensely felt (“ultra-modulated”) that it would have had to become its own kind of modulation.

    This preamble aside, we can now consider how, in describing instances of expression, a dichotomy between “spontaneous” and “forced” works better than one between the willed-active and the predetermined-passive. Bavidge and Ground take human laughter as one helpful example not of highly conventionalized, but minimally conventionalized or “spontaneous” expressive behaviour. Laughter can range from the raucously uninhibited to the politely nervous, but the openness of its ranging follows from the fact that “the pressures and compulsions of social interactions” make up the context in which creatures who belong to communities of expression in which laughter is possible operate. Those social pressures and compulsions differ, and differ in kind, from the “causes and outcomes of physical processes” (152). Noticing that expressions are always modulated helps make it clear that “expressions are actions of agents” (152). Even untutored infants modulate their cries, and we teach growing children to control the expression of their feelings (152). Active modulation conveys communicative content: an expression “acquires its communicative content through being at one point rather than another in a range of possible modulations” (153).

    We are approaching the question of the expressive behaviour that must have been occurring at the origin of language, the interactions through which language “arose.” Now why should the ineradicability of the bodily quality of any expressive behaviour—including laughter—lead us toward seeing that from which language originally arose as a “kind of ultra-modulated expression” rather than “a species of representation”? Bavidge and Ground are moving from the fact that embodied non-linguistic expressive behaviour can be highly conventionalized not toward the reductive thesis that such conventionality reduces the linguistic to the merely expressive, but toward a reminder that the conventionality of linguistic behaviour must have an expressive dimension. Not all expression is linguistic, but language is naturally expressive, and must have been expressive at its origin.

    Those who do generative anthropology and wish to cease neglecting the expressive qualities of language might take that up as a mantra: Not all expression is linguistic, but language is naturally expressive, and must have been expressive at its origin.

    Let us linger over the minimally conventionalized case of laughter as expression. If one laughs in helpless abandonment, tears running down one’s face, uncontrollably, lost in hilarity, the joke (say) that has provoked the laughter may be part of its “cause.” But not even the minimally conventionalized abandonment-modulation of such laughter could result from the verbal content alone of the joke, as if its “meaning” could be detached from the historical network of custom and exchange in which the joke is shared. The same joke delivered in a different context, with different interlocutors in different relationships, could produce nervously polite, forced laughter—or it could cause offense. It could do any number of things. In short, the degree of modulation of the laughter presupposes a context of nonlinguistic “behavioural” conventions.

    The relevance of expressive context becomes clearer when we consider examples of highly conventionalized expressive behavior. As examples of it, Bavidge and Ground cite the “elaborate rituals to express deference and disdain” once witnessed at Versailles; the “sardonic smile” that can “succeed as a communication” only when “an enormously complex social context” is in place; and the way involuntary expressions of pain obey conventions of vocalization despite their involuntariness: English “ouch,” French “Aie”(154). Expression is modulated because concrete social situations demand its modulation.

    Now Eric Gans has made the claim that “. . .representation is never simply ‘expression’” (“Personal Origins of GA 2”). The thesis here being pursued does not require erasure of one iota of that claim. But although representation is never simply expression, neither is representation ever unaccompanied by expression; expression always accompanies representation. Part of the idea of the originary robot as a mechanical creation is that it speaks in an unexpressive monotone, without modulation. A realization that participants in the originary event could not have been robots can reanimate our intuition that language users are expressive agents. Our earliest ancestors exchanging the ostensive would have been expressing fear of violence, desire for the center, resentment of the center, anxiety at the possible failure of the sign, pleasure in the production of the sign, and more (as the advertisers say)—a unique medley of blended emotions.[13] Mixed emotions seem impossible for nonhuman animals.[14] And that is not even to mention the pre-declarative “beliefs” the originary scenic humans might be said to have been expressing in their exchange of representations.

    Consider that a focus on expression makes visible the concreteness of the originary hypothesis. The abortive gesture of appropriation is bodily. The abortive gesture of representation must have been “handed” as Raymond Tallis would say; situated, interactive, communal, expressive; and all that, rather than disembodied and abstract, detached from points of view, mechanical, unattracted to scenic centers of appetitive joint attention. Bavidge and Ground, by leaning away from the primordiality of hidden mental “rules” and leaning instead toward the priority of modulated, expressive “interactions,” are preferring anthropological concreteness not unlike that which Gans attributes to the originary hypothesis to the reductive physicalism of their behaviorist opponents. Moreover, to prioritize expression over representation as Bavidge and Ground do is to approve the priority of desire over cognition, a principle fundamental to originary thinking. We did not think our way into language as unfeeling, unexpressive observers; we found ourselves using language as we expressed feelings, including the felt will to get out of an impossibly dangerous situation by exchanging signs.[15]

    Now we may be prepared to appreciate a bigger point: when Bavidge and Ground recommend not seeing language fundamentally as a “species of representation,” they do not mean by “representation” that which it means in the discourses of generative anthropology.

    There is a kind of philosophy of mind relevant to animal studies, which seeks to naturalize epistemology in a certain way. A novice from schools of garden-variety literary analysis in which the term “representation” includes only so much, will learn from reading this kind of philosophy—fascinating work such as that of Fred Dretske, Ruth Garrett Millikan, Hilary Kornblith, and Tyler Burge—that “representation” can mean something far less on-view and concrete than a song, a poem, a speech, a picture, a sculpture, or the exchange of expressive gestures performed by embodied creatures on a scene of pragmatic paradox and interactive crisis: what I will henceforth name artifactual representation. By “representation,” such philosophers mean something that is best described as a process happening inside the black box of the brain. John Haldane captures this massively unquestioned and dominating tendency in his observation: “But in recent representational and cognitive theories of mind all this [incapacity of the skeptical Cartesian heritage] is swept aside with the claim that bodily activity can result only from (and be sustained only by) internal monitoring, calculation, and behaviour implementation” (303). The most obvious evidence of the “mental representation” tendency may be the ease with which the phrase “perceptual representation” is deployed in studies of animal cognition. Such “perceptual representation” from the point of view of originary thinking would be, unless I misunderstand, a misleading oxymoron. Indeed, Tyler Burge’s well-received 656-page magnum opus Origins of Objectivity (2010) has as its thesis the claim that perception is representation: the claim that the perceptions of animals as simple as the Portia Jumping spider are “representations.” Here is Robert Lurz summarizing Burge’s thesis: “Sensory perception, Burge argues, is psychologically, phylogenetically, and epistemically the most basic form of objective representation of the physical world—it is not derived from more primitive forms of representation of sense data or proximal stimuli, or dependent upon supplementary forms or propositional thought, or reducible to functionally useful causal covariation” (“Review” 775). Sensory perception is representation. In any case, whatever physical processes, social and environmental, the serial events comprising a process culminating in representation include, they must “cash out” in a neural event—the substantive outcome must be brain-guaranteed physical firings, or it is nothing. Now it is true that such philosophers in thrall to the empirical neurosciences may be attentive to complicating ecological concepts such as that of affordance, or attentive to nuances in biology such as environmentally “situated cognition.” All the same, “representation” is coupled with the adjective “mental”; and a “mental representation” is code for something happening in the individual brain of an individual organism. It cannot be stressed enough that artifactual representation of the sort that the originary hypothesis seeks to thematize, as that which is unique to humans, cannot be reduced to this kind of perceptual representation.[16] I am not objecting to the observation that jumping spiders do something special in Nature. I am objecting the way “mental representation” as a category lumps human agents and jumping spiders, rather than splitting them.

    Regardless, it is the assumption of the benefits of such physicalism in philosophy of mind that Bavidge and Ground, with their rejection of “language . . . as a species of representation,” are contesting and combatting. When Bavidge and Ground reject the idea that “the conventions that constitute language” might have arisen from “rules devised to map reality in a mental medium,” it is the residual authority of a certain mind-from-brain-splitting Cartesian dualism that they are rejecting. And it is a splitting that generative anthropology similarly rejects. Once we realize that the “representation” Bavidge and Ground do not wish to accept as the origin of language is nothing like the artifactual representation at the heart of originary thinking, we can more comfortably open ourselves to the value of their foregrounding of expression.

    Agency, embodiment, and community of expression are three features essential to the concept. A fourth is that expression must answer to the need for determinacy of sense. To quickly access the determinacy of sense problem, consider: when my West Highland terrier greets me at the front door jumping up and down against the glass, what is she expressing? “Master is now home”? Does she have a concept of “master” as opposed to “disciple,” or distinguished from “owner” or “boss” or “king”? What words can we as language-users use to describe her thinking, which is not in language? Even if we found reasons to accept the translation “master is now home,” how would we integrate the fact she could not possibly be thinking “the fifth child of L– and M– Bartlett is now home” or “a teacher of University writing” is now home, with our sense that she is minded?

    Bavidge and Ground open their discussion of determinacy of sense by acknowledging that desires to attribute intentional significance to animal behaviour have often operated in conflict with desires to avoid anthropomorphism. We can reduce the conflict between the desire to attribute and the desire to avoid, they argue, by reminding ourselves that even with language, “the determinacy of thought and talk is not something fixed objectively, independently of human ways of going on” (158-59). The logic hidden behind skeptical demands for a rigid specification of the content of expressions of animal mind, Bavidge and Ground capture in a slogan: “representation precedes communication” (159).[17] The idea this slogan conveys—for them, a false idea—is that before we can in the first place attribute “subjective experience” or anything worthy of the name “mind” to a nonhuman animal, we must be able to imagine and verify the presence of a “representation” internal to the animal’s body, in its brain (159). “Representation precedes communication” encapsulates the presupposition that “what makes a piece of behaviour expressive is that the component bodily movements happen to be connected with internal [brain] states with a particular content” (159).

    To help us grasp the backwardness of such an ordering, Bavidge and Ground ask us to imagine a dog that emits one identical bark. Its one unchanging bark is connected to one brain state, so neuroscientific reductionists might be satisfied with the correspondence. However, the unnaturalness of such a creature shows the mistake in assuming that “the significance of some particular piece of behaviour can be determined in isolation from the rest” of an animal’s behaviour (159). Some scientists and philosophers believe the determinacy of sense problem will be solved by neuroscience’s eventually proving the reality of “the representational character of the neural states with which [psychological states] are identical” (160). Questioning confidence in that belief, Bavidge and Ground observe that “the theoretical solution to the mind/brain problem along [such] empiricist lines” thus hoped for is extremely distant. Anyway, the belief permits unjustified scepticism about the very existence of animal minds. Bavidge and Ground reject, following Wittgenstein, the physicalism of such brain science: “. . . the capacity to represent something is not some fundamental property of parts of the physical world. . . . Rather, representation is a kind of activity in which some animals can engage” (160-61).

    Whatever I can understand of my West Highland terrier’s expression in greeting me at the door (the bodily activity in which she engages, within a specifiable behavioural routine), such understanding is not dependent on my having a neurological description of her brain state. The “community” in which expressive lives are lived cannot be reducible to a physical environment in which quantities of energy are transferred—unless, of course, to go back to our examples of the aliens who do not see us waving, the goal of science is to remove expressive life from the “objectively” considered universe. And, true, such removal is not a theoretical impossibility. But that one is always free to conduct oneself as a mad Frankenstein playing God could does not mean that one ever should.[18] Not to play God with nonhuman animals is no less important than not playing God with other humans.

    Bavidge and Ground’s exposition of embodiment as a feature of expression (154-58) closes with their probing the unnatural, perhaps immoral, quality of systematic campaigns of denial of the intuitive principle that human and nonhuman animal bodies are in fact expressive: “It takes an effort not to see the body as bearing meaning” (156). Our sensitivity to other human bodies is pervasive and general: “We are aware of the presence of others and the character of that presence” (156). Bavidge and Ground clarify that expressive behaviour is not reducible to or identical with body language, and the “philosophical significance” of a universal, unlearned, uncontrolled and reliable human body language would be limited: even if such a “language” existed (they doubt it does), the problem of its meaning would not be solved by virtue of such properties (157). Nonetheless, body language reminds us of the “environment of meaning” that we inhabit, surrounded as we are by “embodiments of thought, desire, and intention” (157). Questioning the cultivation of what they call body-blindness, Bavidge and Ground observe that in “sinister practical programmes of de-signification” such as those implemented in concentration camps, there are “routines . . . designed to make the inmates and their feelings invisible to their oppressors” (157). Pro-animal activists draw parallels between such institutionalized human cruelty to humans and human experimentation on animals, following a negative conviction Bavidge and Ground seem to endorse: “Behaviourism is a methodology to secure body blindness” (157-58). Bavidge and Ground suggest that those who find such analogies exaggerated might still be troubled to learn that some animal researchers do deny that “animals are conscious,” and that such consciousness-deniers recommend that we fight our common sense selves and learning techniques of desensitization to the expressiveness of animal bodies, especially if we want to do good work in the laboratories (159-60). Bavidge and Ground argue that interactive, communicative methodologies in animal studies are preferable: “Recognizing expression, like understanding meaning, is not a matter of speculation but of insider-dealing. [Recognizing expression] involves the opposite of the sort of objectivity which requires distance, detachment, and the abandonment of personal perspectives” (158).

    Having reviewed the key features of Bavidge and Ground’s exposition of the concept of expression, let us consider the implications. The idea that language is fundamentally an activity of animals who have invented, under some unspecified exigency, an “ultra-modulated” expression is closer to the originary hypothesis than the idea that all animal minds, whether human or nonhuman, are reducible to representations as brain states.[19] Rather than a principle such as “representation precedes communication,” Bavidge and Ground recommend instead “the priority of communication over representation” (161). It is worth observing that many formulations of Eric Gans, proffered in the context of like rejections of monolithic materialist doctrine, show an attachment to the belief in “the primarily communicative function of language” (“Language Origin”).[20] Bavidge and Ground argue that we should accept the way that instances of the determinacy of sense established by interactive studies of animal life will never be just like equivalent instances that linguistic expressivity makes possible: “What is plainly wrong is to demand of a non-language-using animal determinacy of sense that applies only to the experience of language-using animals” (161). They conclude their analysis of the determinacy of sense problem by defining their hopes for interactive ethological research as follows: “Determinacy of psychological states is secured not by the articulate structure of the medium [such as language] in which representations occur. . . The content of the psychological state of an animal is fixed by the place of the characteristic expression of that state in the repertoire of expressive behaviour available to the animal” (161). [62].

    I repeat: the content of the psychological state of an animal is fixed by the place of the characteristic expression of that state in the repertoire of expressive behaviour available to the animal. It follows from that claim that we might wish to consider the experiences of animals “meaningful” insofar as their expressive behaviour is meaningful; and that would be so despite the fact of the gap between human intuition and animal experience that Gans delimits in the following.

    The relationship of Kant’s space and time to the phenomena that appear within them is analogous to the relationship between the world of the signs of language and the world of objects to which these signs are made to refer. No doubt animals may be said to have “experiences,” but they cannot have what Kant calls “intuitions,” since they cannot formulate their experiences in such a way as to share their meaning with others, or express it to themselves. (“Notes”)

    Once we grasp and put to work the concept of expression, there is no need for the scare quotes that Gans has put around “experiences.” The scare quotes drive a wholly unneeded wedge through the center of the expressive world to kowtow to principles of “. . . the ontological priority of ‘language’ to knowledge” (“Notes”). It would also be impossible to explain animal behaviour if we were prohibited from hypothesizing, investigating, and representing as best we can what animals know. Indeed, any non-reductive materialist ontology after Darwin needs to be open to thoughts of “experience” being meaningful to many living creatures, certainly all mammals. As Bavidge and Ground assert without hesitation, “The fact that behaviour is instinctual does not mean that it has no character as experience” (136); “Philosophy, if it is to justify its claims to generality, needs to be far more wary of the risk of species-specificity in its accounts of belief, concept-possession, and experience” (143). I hasten to add that a wariness of the risk of species-specificity in thinking about the experiences of nonhuman animals should not entail a discounting or denial of human exceptionalism. Bermudez’s Thinking without Words (2003) is an excellent survey of the science and exploration of the philosophical challenges in describing animal minds.

    Can the concept of expression as it is outlined by Bavidge and Ground assist interventions in tension-troubled discussions of the human-animal ecology? Perhaps this formula can serve to resituate the originary hypothesis so that workers in the discipline of generative anthropology are better equipped to direct toward “animal mind” the attention it deserves: although representation is never simply expression, expression always accompanies representation. The world we share with nonhuman animals is the expressive world, the world of expressive creatures.[21] Perhaps it is another paradox of human reality that the only world worth living in is one we share with nonhuman minds. If we keep in mind the way that expression rather than linguistic representation alone manifests animal mind, we can be confident that animals in fact have “minds,” and any dignity or value the term “minds” might be taken to confer. However, because expression and representation will have been disentangled, we will be better enabled, should we accept the mission, to defend a human exceptionalism that commits itself to describing the big differences—biological differences,[22] psychological differences,[23] moral differences,[24] technological,[25] economic,[26] onto-theological[27] differences—that our uniqueness as the only language-users in the animal kingdom confers on us.

    In our lives as expressive creatures, we can become closer than we will ever know in language to nonhuman animals. The history of attempts to avoid anthropomorphism contains signs suggesting that the otherness of animal minds is not unlike the otherness of the mind of God.[28] The nonhuman animal in the scenic center whom we recognize as expressive reveals a central locus of being that appears to demand to be named, even as the demand makes us conscious of nothing so much as our freedom, and responsibility, to choose to perform (or not) such originary naming.

    Further pursuit of the thesis proposed here might encourage us to explore the following formulations. Our model for the expressivity of “bodies” in general is the expressivity of the sign. Therefore, our model for the expressivity of animal bodies is the expressivity of the sign. The sign itself is expressive only if we choose to attach it to “consciousness” (or the scenic necessity of the deferral of violence): we recognize the abortive gestures of appropriation of others on the scene as expressive. In somewhat the same way, we will read animal bodies as expressive “signs” only to the extent that we defer our violence toward them (not necessarily abolish it, which may be an impossible thing for many people to do, but certainly defer it). Regarding anthropomorphism, therefore, consider that maybe the real question is whether and how animals are “like” signs—expressive, significant, meaningful, worthy of attention—rather than whether and how animals are “like” humans. (One recalls that heads of cattle were counted as one of the earliest forms of money.) Likewise, to empty the sign of all significance—to believe, while rejecting physical agency, that scenic exchange is reducible to physical “mental representations”—is to empty animal bodies (including our own again) of all significance.

    Works Cited

    Bavidge, Michael and Ian Ground. Can We Understand Animal Minds? New York: St Martin’s Press, 1994. Intro. by Mary Midgley. Mind Matters. Series ed. Judith Hughes.

    Bermudez, Jose Luis. Thinking without Words. Oxford: U P, 2003.

    Bickerton, Derek. “More than Nature Needs”: Language, Mind, and Evolution. Cambridge, Mass.: Harvard U P, 2014.

    Bonjour, Laurence. “Kornblith on Knowledge and Objectivity.” Philosophical Studies 127/2 (Jan. 2006): 317-35.

    Burge, Tyler. Origins of Objectivity. Oxford: UP, 2010.

    Cabrera Jr., Manuel “Mandel.” “Natural Unity and Human Exceptionalism.” Midwest Studies in Philosophy 35 (2011): 46-68.

    Camp, Elisabeth. “A Language of Baboon Thought?” In Lurz, Philosophy.

    Campbell, John. “Review Essay: Origins of Objectivity by Tyler Burge.” Journal of Philosophy 108/5 (2011): 269-85.

    Carruthers, Peter. “Invertebrate Concepts Confront the Generality Constraint (and Win).” In Lurz, Philosophy.

    Davidson, Donald. “The Emergence of Thought.” Erkenntnis 51/1 (1999): 7-17. Special issue: Animal Mind. JStor. 19 Jan. 2015.

    Day, Matthew. “Godless Savages and Superstitious Dogs: Charles Darwin, Imperial Ethnography, and the Problem of Human Uniqueness.” Journal of the History of Ideas 69/1 (Jan. 2008): 49-70.

    Dilman, Iham. “Universals: Bambrough on Wittgenstein.” Proceedings of the Aristotelian Society 79 (1978-79): 35-58.

    Dretske, Fred. “Introspection.” Proceedings of the Aristotelian Society 94 (1994): 263-78.

    Dretske, Fred. “The Nature of Thought.” Philosophical Studies 70/2 (May 1993): 185-99.

    Finn, David R. “Expression.” Mind (new series) 84/334 (Apr. 1975): 192-209.

    Francione, Gary L. and Robert Garner. The Animal Rights Debate: Abolition or Protection? New York: Columbia U P, 2010.

    Gans, Eric. “Affirmation of Life III: Originary Analysis of Terrorism.” Chronicles of Love and Resentment 293 (6 Dec. 2013).

    —–. “Bear Theory.” Chronicles of Love and Resentment 470 (13 Sept. 2014).

    —–. “Biddy the Hedgehog, RIP.” Chronicles of Love and Resentment 482 (14 Mar. 2015).

    —–. “Christian Monism, Hebrew Dualism.” Chronicles of Love and Resentment 436 (26 Jan. 2013).

    —–. “Emile Durkheim, Originary Hedgehog.” Chronicles of Love and Resentment 386 (9 Jan. 2010).

    —–. “The Four Freedoms.” Chronicles of Love and Resentment 348 (1 Sept. 2007).

    —–. “Gregory Bateson’s Paradoxes of Communication.” Chronicles of Love and Resentment 389 (6 Feb. 2010).

    —–. “Language Origin in History II: Condillac’s Originary Scene.” Chronicles of Love and Resentment 178 (14 Aug. 2000).

    —–. “Mimetic Simplicity.” Chronicles of Love and Resentment 39 (20 Apr. 1996).

    —–. “Minimal Faith: The Human as Event.” Chronicles of Love and Resentment 200 (4 Mar. 2000).

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    —–. “Nim and Nothingness.” Chronicles of Love and Resentment 423 (26 May 2012).

    —–. “Notes for a History of Transcendence.” Chronicles of Love and Resentment 359 (31 May 2008).

    —–. “The Originary Hypothesis (Stanford Version).” Chronicles of Love and Resentment 402 (20 Nov. 2010).

    —–. “Personal Origins of GA: 2. Bronx Romanticism and Theoretical Minimalism.” Chronicles of Love and Resentment 113 (18 Oct. 1997).

    —–. “Pre-Boasian Anthropology: MacLennan and Morgan.” Chronicles of Love and Resentment 318 (28 May 2005).

    —–. “Reciprocity and Firstness.” Chronicles of Love and Resentment 451 (11 Jan. 2014).

    —–. “Rene Girard and the Overcoming of Metaphysics.” Chronicles of Love and Resentment 256 (9 Feb. 2002).

    —–. “The Scene of Language.” Chronicles of Love and Resentment 471 (20 Sept. 2014).

    —–. “Transcendence.” Chronicles of Love and Resentment 370 (28 Mar. 2009).

    Garcia Rodriguez, Angel. “A Wittgensteinian Conception of Animal Minds.” Grazer Philosophische Studien 88 (2013): 101-122.

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    Guldberg, Helene. Just Another Ape? Exeter: Imprint Academic, 2010. Societas: Essays in Political and Cultural Criticism.

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    Haldane, John. “The State and Fate of Contemporary Philosophy of Mind.” American Philosophical Quarterly 37/3 (Jul. 2000): 301-311.

    Hurn, Samantha. “What’s in a Name? Anthrozoology, Human-Animal Studies, Animal Studies, or. . . ?” Anthropology Today 26/3 (June 2010): 27-28.

    Jamieson, Dale. “Science, Knowledge, and Other Minds.” Proceedings of the Aristotelian Society 98 (1998): 79-102.

    —–. “What Do Animals Think?” In Lurz.

    Klagge, James C. “Wittgenstein and Neuroscience.” Synthese 78/3 (March 1998): 319-43.

    Kornblith, Hilary. Knowledge and Its Place in Nature. Oxford and New York: Oxford U P, 2002.

    —–. “Reply to Bermudez and Bonjour.” Philosophical Studies 127/2 (Jan. 2006): 337-49.

    Langer, Suzanne K. “Man and Animal: The City and the Hive.” Antioch Review 18/3 (Autumn 1958): 261-71.

    Lehrer, Keith. “Discursive Knowledge.” Philosophy and Phenomenological Research 60/3 (May 2000): 637-53.

    Lurz, Robert, ed. The Philosophy of Animal Minds. Cambridge: U P, 2009.

    —–. “The Philosophy of Animal Minds: An Introduction.” In Lurz.

    —–. Review of Origins of Objectivity by Tyler Burge. Philosophical Psychology 25/5 (Oct. 2012): 775-81.

    Margolis, Eric and Stephen Laurence. “The Ontology of Concepts: Abstract Objects or Mental Representations.” Nous 41/4 (2007): 561-93.

    McDonnell, Jennifer. “Literary Studies, the Animal Turn, and the Academy.” Social Alternatives 32/4 (2013): 6-14.

    Millikan, Ruth Garrett. “Biosemantics.” Journal of Philosophy 86/6 (June 1989): 281-97.

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    Mitchell, Robert W., Nicholas S. Thompson, and H. Lyn Miles, eds. Anthropomorphism, Anecdotes, and Animals. Albany: State University of New York Press, 1997.

    Parker, James V. Animal Minds, Animal Souls, Animal Rights. Lanham, Maryland: University Press of America, 2010.

    Proust, Joelle. “The Representational Basis of Brute Metacognition: A Proposal.” In Lurz, Philosophy.

    Rescorla, Michael. “Chrysippus’ Dog as a Case Study in Non-linguistic Cognition.” In Lurz, Philosophy.

    Reichmann, James B. Evolution, Animal “Rights,” and the Environment. Washington, D.C.: Catholic University of America Press, 2000.

    Roberts, Robert C. “The Sophistication of Non-human Emotion.” In Lurz.

    Scruton, Roger. Animal Rights and Wrongs. 1996. 2nd ed. London: Demos, 2000. [Free online copy accessible at www.demos.co.uk.]

    Singer, Peter. Animal Liberation: A New Ethics for Our Treatment of Animals. New York: Avon Books, 1975.

    Suddendorf, Thomas. The Gap: the Science of What Separates Us from Other Animals. New York: Perseus Group / Basic Books, 2013.

    Tallis, Raymond. Aping Mankind: Neuromania, Darwinitis, and the Misrepresentation of Humanity. Durham [U.K.]: Acumen, 2012.

    Tetzlaff, Michael, and Georges Rey. “Systematicity and Intentional Realism in Honeybee Navigation.” In Lurz, Philosophy.

    Winch, Peter. “The Expression of Belief.” Proceedings of the Aristotelian Society 70/2 (1996): 7-23.

    Notes

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    [1] I lump under the label “animal studies” several disciplines. See Hurn, “What’s in a Name?” for some mapping of the overlapping. For evidence of the field’s spectacularly rapid growth in relation to literary studies, see McDonnell, who reports that the following fourteen humanities-related journals at the time of her writing had recently produced special issues on animal-related themes: Parallax (2006), Configurations (2006), Mosaic (2006-2007), TDR: Journal of Performance Studies (2007), Oxford Literary Review (2007), PMLA (2009), Minnesota Review (2009-2010), Safundi: The Journal of South African and American Studies (2010), JAC: Journal of Rhetoric, Culture, and Politics (2011); Postmedieval Studies (2011); New Formations (2012); Hypatia (2012); Journal of Victorian Culture (2012); Angelika: Journal of the Theoretical Humanities (2013). The non-scientific scholarly periodicals devoted entirely to the field include Society and Animals; Humanimalia; Journal for Critical Animal Studies; Antennae; and The Animal Studies Journal (Australia).

    [2] Such tensions are not limited to those between, say, animal “lovers” and people who find animals boring, or those between meat-eaters and vegetarians. There are incompatibilities of commitment and unpleasant tensions within the animal welfare community between the “abolitionist” (purist revolutionary vegan) and “protectionist” (moderate reformist vegetarian) camps: see Francione and Garner for the surprising evidence.

    [3] I speak of a defensiveness that would be self-preserving within the fields of humanities-based animal studies. Bermudez’s excellent Thinking without Words (2003) is a fair-minded and generous study of cognitive ethology “from within” that does not shy away from the huge differences language makes, while taking care to credit nonhuman animals for the thinking they do. For robust defenses of human exceptionalism from outside the field, see Bickerton (2014), Guldberg (2010), Parker (2010), Reichmann (2000), Scruton (1996), Suddendorf (2013), and Tallis (2012). Langer’s (1958) thesis—”In the specious analogy of the hive and the city, lies . . . the basic philosophical fallacy of all totalitarian theory, even the most sincere and idealistic” (271)—retains, half a century later, all its relevance and power. For a fascinating and attractive exploration of “pluralistic monism” as a position “midway between reductive physicalism and human exceptionalism” see Cabrera Jr. (2011).

    [4] My assumption is that a writer who claims that human-nonhuman animal difference is one of degree, not kind, is professing adherence to “the Darwinian gradualism that dominates the field.” Typical is this remark by Matthew Day, in a nonetheless valuable study of the way Darwin moralized his scientific defense of notions of human-animal similarity: “Slightly rephrased, the trouble with convincing portraits of human uniqueness is that on any given point the distance between ‘us’ and ‘them’ is astonishingly small” (49). Day’s purportedly factual report strikes me as a factual error: what astonishes me is the ease with which so many fail to find the “distance” at most points “astonishingly” large.

    [5] Gans on the minimality of the discovery/invention of the originary scenic ostensive: “. . . the claim of the originary hypothesis is to minimize an explanatory leap between animal and human that cannot be eliminated” (“Minimal Faith”).—”In all this ’empirical’ study, no one seems to consider the obvious idea that the first language must have been minimally simple, one step removed from animal signals, and it could not have depended on a ‘language module’ for its implementation” (“Minimal Language”). Gans does not deny that animals have mental lives: “The otherness of the sacred object is derived from its otherness as a material object of desire; the prior existence of appetite, eliciting among higher animals goal-directed behavior involving intelligence, self-control, etc., provides the seed of the dichotomy that eventuates in significance” (“Christian Monism”). —Also in his analysis of Condillac, Gans —albeit in a negating context —attributes thought and short-term knowledge to animals: “Condillac anticipates contemporary neurocognitive research in his contention that thought without language, such as animals are capable of achieving, is effective only in its immediate context and leads to no long-term acquisition of knowledge. This reliance on the sign as, one can almost say, a neuronal focus for thought, is also a major step in the direction of originary thinking” (“Language Origin”). Early in the Chronicles, we find this passage, one of the most generous he has written about animal minds: “Mimesis . . . provides the link between it [the sign-world] and the world of nature. It is entirely understandable that higher animals can make marginal use of language through the use of their near-human mimetic powers. Our near-relatives are not far from being able to make the mysterious leap that separates them from the human. Their use of our linguistic symbols shows how close they can come. Animals, even plants, have concepts in the sense of slots into which some phenomena fit but not others. A dog who sniffs my socks can distinguish me from anyone else; he possesses a Gans-concept. Chimpanzees can be taught to use sign-language to manipulate such concepts. But . . .” (“Mimetic Simplicity”). —More recently, we find this positive assertion: “Animal-like creatures are the most appropriate bears because we know that animals have a certain awareness of the world and lack only the faculty of representation to be human” (“Bear Theory”).

    [6] Gans: “Animals use signals, and can even be taught to use human signs, but they cannot understand the originary purpose of the sign as a replacement for an object made sacred by desire. (Or perhaps experimenters can teach religion to chimpanzees)” (“Minimal Thinking”).

    “For faith . . . originary analysis provides a minimal model or structure of understanding: faith is the mode of shared representation. However much animal signals may be learned, animals have no signs whose reference must be taken on faith” (“Minimal Faith”). Gans points out that the signals animals send never ” . . . become the object of a formal intention” and that animals never engage in ” . . . the project of producing a certain form of the gesture itself” (“Transcendence”). Language is not reducible to an animal behavior: “In emitting the originary sign, the act that defines us as human, we turn from the ‘horizontal’ world of appetite to the new, ‘vertical’ dimension. In the originary scene, the sign is the first act that is not a product of the interplay between appetite and inhibition responsible for the gamut of animal behaviors” (“Four Freedoms”). The difference between human language and animal communication systems is one not of degree but kind: “That Durkheim lacked the conceptual vocabulary to characterize these [shared] representations as different in kind from those of other animals is a trivial matter in respect of his achievement in valorizing the specificity of the human community that makes possible their sharing” (“Emile”) (emphasis added). Those who seek in “play” behaviour the origin of language are misguided and misguiding: “This doesn’t mean that a chimp, or a far less advanced creature, is incapable of ‘free play,’ the fanciful triggering of routines as a result of who knows exactly what random inputs. But a playful reaction to one’s environment, in which one is not immediately engaged in activities such as eating or sex that are directly involved in individual or species survival, is not the equivalent of nor indeed in any way connected to the intentional formation of representations, any more than animal language is directly connected to human language” (“Nim”).

    [7] Gans (in an unusually mocking tone): “The social sciences tell us that a sign is simply one thing substituted for another. Signs are used by animals as well as humans; our sign system is merely one more elaborate, not different in kind. We have religion because we are weak and observe the strength of the forces of nature, we are mortal and observe the permanence of the world beyond our death. And as for culture, animals too make beautiful displays, birds sing lovely songs, and who can say that whales don’t tell each other stories. . . . Our choice is between these worthless explanations and originary thinking . . .” (“Mimetic Simplicity”) [paras.6—7].

    “However pregnant with future evolutionary possibilities, animal play is not comparable to human symbolic representation, in which words and things belong to different universes rather than one being a ‘non-serious’ form of the other. . . . The original source of the dog’s inhibition, we may assume, is fear of being bitten back, and eventually dogs come to ‘know’ they are playing, but only an uncritical anthropomorphism would extend this knowledge to awareness that their nips ‘denote’ real bites” (“Gregory Bateson’s”).

    [8] A personal note: I find tedious and nauseating the omnipresence of the noun “cognition” and with its twin “cognitive”: insert “cognitive” into the title of your research proposal and doubtless its chances for success will multiply exponentially. Like Moliere’s bourgeois gentleman who was surprised to learn he had been speaking prose all his life, perhaps those of us who do generative anthropology may be surprised to learn that all this time we have been doing something like “cognitive archaeology.”

    [9] To add to Bavidge and Ground’s account of Wittgenstein on expression or animal mind or both, I have relied on Dilman (1978-79), Finn (1975), Garcia (2013), Haack (1982), Jamieson, “Science” (1998), Klagge (1998), and Winch (1996). Garcia’s is the most directly relevant study. He writes: “To sum up and come to a close . . . Wittgenstein’s conception of animal minds includes the following three main theses. One, animals express their minds through non-linguistic behaviour, in contrast with the complex linguistic expressive behaviour of humans. Two, the differences in linguistic abilities are differences in the forms of life; and so linguistic abilities signal the existence of a distinctive human form of life to which animals do not belong (and into which children are progressively introduced). Three, human expressive behaviour acquires its significance against the backdrop provided by a set of practices, hence expressive behavior is not as such prior to, and independent of, linguistic-cum-conceptual abilities” (120-121).

    [10] Bavidge and Ground play on the famous lines from Star Trek: “They do not see them [the movements] as emanating from us. They continue their mission, unseeing, unmoved, and unresponsive; to boldly catalogue where no one has catalogued before” (147) [8].

    [11] Bavidge and Ground: “But [the story] also identifies the kind of thing we are missing when we deny that other animals could have points of view. The pieces of world that we miss, or misdescribe, are those objects and events which, as a matter of fact, make up a creature’s expressive behaviour” (149).

    [12] Gans’s opinions on anthropomorphism are complex. He seems not to place any error-phobic blanket prohibition on anthropomorphic thinking. On the contrary, consider these remarks, the tone of the first implying no hostility to that which Hegel preserves and the tone of the second expressing disapproval of the sacrificial move in modern analytical philosophy: “Hegel’s idealism has not yet thrown off the originary anthropomorphism that metaphysics inherited from religious thought”; “Modern analytical philosophy in rejecting anthropomorphism sacrifices the human altogether, although it has recovered some of it through ‘ordinary language’” (“Minimal Thinking”).

    Other passages relevant to the question of anthropomorphic thinking present the appearance of an inconsistency: Gans is certainly content to celebrate the deliberately anthropomorphic projections he analyses in “Bear Theory” and “Biddy the Hedgehog, RIP.” One might then be mystified to notice what one might misinterpret as stinginess toward owners of pets (such as I am) who attribute human-like thoughts to their beloved animals (such as I do): ” . . . attributing human-like thoughts and feelings to animals, as some pet owners are wont to do, steps over the line and is less playful than silly” (“Biddy”).  So much depends upon a red wheel barrow, and so much depends on what one means by “human-like thoughts.”

    I would claim that the inconsistency is only seeming: Gans’s unspoken assumption seems to be that the explicitness and obviousness of the fictionalizing in the former cases (bears and Biddy the hedgehog) prevents the humans engaged in such play (play that surely from some perspective or another could also be called “silly”) from blurring the reality of the human-animal boundary, whereas the emotional investment of owners in their pets dims the obviousness of their fictionalizing and may increase beyond the point of their control (“rational” control of thought? morally responsible self-control, restraining sentimentalism?) the temptation to blur the “real” boundary of human-animal difference in ways that undermine human self-respect. I venture the claim that the more time people spend regularly interacting with animals, and, one hopes, “training” them if they are pets, the less likely people will lose control due to emotional investments. As the likelihood of error decreases, so decreases the “silly” quality of their attributing “human-like thoughts and feelings” to the animals whose repertoires of expressive behavior they come to know. With his characteristically uncanny wisdom, Gans seems to be aware of this likelihood when he teases pet owners—in a playful way—for spending time and money on real animals when they could derive just as much pleasure from ensouling (stuffed plush inanimate) “bears”: “An animal is not human; one can love it dearly, but projecting human consciousness onto it, as pet owners are occasionally wont to do, is just making [the pet] into a bear, and if what you want is a bear, it’s a lot easier to take care of a creature that requires no feeding, cleaning, or “walking,” let alone putting to sleep” (“Bear Theory”). The deep point—one that pays “real” animals a compliment—may be, I take it, that precisely because there is an extra-human reality of animal mind that is worth describing and understanding in “scientific” terms, pet owners unintentionally demean and disrespect their animals when they treat them as “bears.” They should be attributing pet consciousness and not human (or “bear”) consciousness to their pets. My taking the passage this way fits with Gans’s objections to internet videos of animals: ” . . . videos that are cute and harmless but ultimately cloying and dehumanizing, in that the animal is presented as either trying and not quite succeeding at being ‘human,’ or else showing that whatever our desires and expectations, he/she really doesn’t care to be human” (“Biddy”). —Finally, it perhaps is worth noticing that Gans characterizes certain cognitive scientists with the same epithet, “silly”: “Only cognitive scientists are silly enough to believe that there is only a difference of degree between humans and animals. The special nature of bears is that it is we who grant them the gift of human consciousness” (“Bear Theory”). His characterization “silly” seems to kick in when denials of the difference of kind between humans and languageless animals go into operation.

    [13] Consider the following remark of Gans, which seems to insist on an absoluteness in the expression-representation divide, if we read “reaction” as a variation on “expression”: “The event of deferral is not a visceral reaction of fear; the deferral of satisfaction is a mode of communication, a communion that prefigures the feast to follow. One renounces life as an animal in order to live it as a human being” (“Affirmation”). I would qualify this by insisting in turn that “communication” does not make the “visceral reaction” cease to exist: the exchange of signs continues and transfigures the expressive life; it does not end it. It would be absurd to think of signs as inexpressive. Perhaps we could say simply: animals express themselves first with their bodies; humans express themselves first with signs—on the scene of representation, our bodies (initially, that portion of our handed body that performs the abortive gesture of appropriation) cannot help but already be themselves signs.

    [14] For evidence that animals do not feel mixed emotions, see the relevant chapter in Grandin and Johnson; see Roberts in Lurz.

    [15]  For a brilliant analysis of the concept of expression as it relates to “criteria” and “symptom” in Wittgenstein, an analysis that concludes—regarding humans—”There is no such thing as the expression of a feeling one does not feel,” see the essay by Finn. Finn’s conclusion may be relevant in connection to the fact that animal emotions are not complex, but simple—their simplicity perhaps adding to the reliability of their expressiveness.

    On the fear of danger in the originary event: “In contrast with animals, humans pose a greater danger to themselves than do the rigors of the extraspecific world. Hence if we need a new system of communication, it is not to signal the location either of predators or food, but to avert the danger of mimetic conflict. According to the originary hypothesis, human language originates when the pecking-order animal dominance hierarchy is no longer able to regulate such conflict” (Gans, “Fundamental Paradox”) (emphasis added).

    Consider too the choice of the verb “expresses” in the following: “It [the transcendent] is experienced as governing a community to which each belongs, and to which each expresses his allegiance through emission of the sign. In biblical terms, the transcendent stands in a covenantal relationship with the community” (“Transcendence”) (emphases in the original). Can one express a feeling of allegiance that one does not feel?

    [16] For a careful critique of Burge’s whole project, see Campbell. For unequivocal examples of research engaging with this dominant mode of “mental representation” discourse, see those essays in Lurz’s The Philosophy of Animal Minds volume by Rescorla, by Tetzlaff and Rey, by Camp, and by Proust; see Allen, “Mental Content.” Another helpful example is this programmatic formulation by Fred Dretske: “Learning . . . also gives rise to elements that have an informational function. Such items are the concepts essential to thought. Thoughts are the internal representations whose information-providing function has been acquired in learning, the kind of learning wherein is acquired the concepts needed to have these thoughts” (“Nature of Thought” 192). See also Dretske, “Introspection” (271, 273). For a very helpful analysis of what is at stake in the deployment of such a vocabulary, see Margolis and Laurence.

    [17] Bavidge and Ground: “So until we can, for example, determine how the mouse represents that cat to itself, we cannot say it is frightened of it. Representation precedes communication could be the slogan for this point of view and, if it is true, appealing to expression will not help us understand animal minds” (159) [54].

    [18] See my Mad Scientist, Impossible Human: An Essay in Generative Anthropology (Aurora, Co.: Davies Group Publishers, 2014).

    [19] Gans: “As a ‘system of cells,’ we may be only quantitatively different from other animals, but as a ‘system of representations,’ we are ‘absolutely different,’ because our minds not only contain representations in the sense of perceptive traces, but create representations in the sense of words and artificial images” (“Emile”).

    [20] Gans showing an attachment to the belief that language is primarily communication: “Before logical or linguistic categorization can take place, the community must establish through its exchange of signs a transcendental universe of representation, the world of Derrida’s différance” (“Gregory Bateson’s”). He credits Bateson for his “awareness of the interactive nature of thinking” and his “refusal to be confined within the individual psyche” (“Gregory Bateson’s”).

    And this: “It will suffice here to point out that the minimal demonstration of the transcendental character of the linguistic sign is the fact that its meaning inheres not in the minds of the individual members of the community but in the shared understanding of the community as a whole. There is no physical locus, neuronal or otherwise, in which the meaning of a linguistic or other cultural sign can be found. Whether or not we attribute it to a supernatural source, the transcendental status of human representations is the defining trait of the creature that Aristotle defined by its possession of the logos” (“Notes”).

    Gans rejecting monolithic materialism: “The ‘indexical’ signals used by animals are traces of the impingement of objects on their sense and should therefore be understood as belonging to the same world as these objects, whereas human language, constructed of ‘symbolic’ or ‘arbitrary’ signs, occupies a different ontological space . . . the representations that inhabit the intellect are made of nothing but language” (“Notes”) [emphasis added].

    And this: “We may express the genetic code as a set of patterns that we can name by symbols, but we do not need to postulate a cosmic mind in which these symbols or their equivalents originated. Words, on the other hand, exist for their users as forms or in Platonic terms, Ideas, that utterances only instantiate” (“Transcendence”).

    And more: “In this perspective, the event of the human is an innovation comparable to the emergence of life. But the difference between the emergence of life and that of the human is that whereas DNA and its precursors ‘encode’ the means of self-reproduction, humans remember and thematize occurrences of emergence, and are consequently the only beings for whom events may be said to exist” (“Originary Hypothesis, Stanford”).

    And this: ” . . . the speaker is not simply accidentally foregrounding an object . . . but he is thematizing it, intending it, putting it on scene, which is inseparable from indicating to his interlocutor that he is so doing. Tallis calls the material of human representational consciousness thatter to contrast it with the matter that the neuromaniacs think human consciousness can be reduced to” (“Scene of Language”).

    [21] Gans has already to some extent anticipated (and pre-endorsed) this thesis, although the foregrounding and emphasis placed upon it is something for which I take responsibility. Consider: “Both humans and animals communicate through indexical signs, expressions of emotions that provide information to conspecifics, such as a cry of fear that serves as a warning signal. In contrast, the category of symbolic or . . . arbitrary signs, belongs only to humans . . .” (“Gregory Bateson’s”) (opening emphasis added).

    [22] Gans: “Human ritual may then be characterized not as the assimilation of the extraneous element of independently-evolved language into the more general structure of ritual, but as the attempt to reproduce this scene, that is, as a historical phenomenon, in contrast with biologically driven rituals” (“Roy Rappaport”).

    [23] Gans: “Although preliminary versions of these relations are found in animal communication, we should beware of seeking human categories in animal interaction. One animal gives a signal and the others follow. We may call this an example of ‘firstness’ if we like, but it [animal signal-following] is not exercised in a context of conscious reciprocity and therefore arouses no awareness of the first-later distinction that generates resentment in humans. Animals do not have a sense of equality” (“Reciprocity”) [emphasis added].

    [24] Gans on human-animal difference in the context of moral intuitions: ” . . . I was struck by the clear parallel between Nim’s inability to construct declarative sentences and his more dangerous inability to acquire a moral sense. Although far more intelligent than a dog, he couldn’t learn the inhibitions that the dog has inherited in the process of domestication. What the dog could ‘learn’ of human morality through Darwinian selection while remaining an animal, the chimp could not learn the way a human would learn it” (“Nim”).

    “One renounces life as an animal in order to live it as a human being” (“Affirmation”).

    “Animals do not have a sense of equality. They are mimetic enough to want what they see in the possession of others, but it is meaningless to speak of animal ‘morality,’ with respect to either egalitarianism or pity” (“Reciprocity”).

    [25] Gans on human-animal difference considered technologically: ” . . . apes . . . do not use projectiles as weapons in a systematic way. . . . In order to take aim at something, we must first stand back from our appetitive movement toward it; we intend it. The possibility of peacefully intending the sacred object via the sign is also the possibility of violently intending it through a missile. My difference from Girard on this point is ‘merely’ to insist that the latter intention [violently intending through a missile] is dependent on the former [peacefully intending via the sign]” (“Minimal Language”).

    [26] Gans on economic “value” as something only humans can produce (contrary to the environmentalist insistence on the already-sacred “inherent” or “intrinsic” value of nature prior to human contact with it): “Although higher animals imitate another’s appetitive actions, both positive and negative, in the search for food or in flight from predators, in designating a particular object, the mediating animal does not modify its intrinsic value; this designation neither arouses desire nor privileges its specific object over the general category of which it is a member. Consequently, it can modify the appetitive value of the object only in the long-term context of Baldwinian (behavior-driven) evolution. Human mimesis does not need to change the genetic code to influence behavior, or desire itself, because relationships between human beings are mediated by the scene of representation” (“Rene Girard and”).

    [27] Gans on human-animal difference considered onto-theologically: “The first assertions, in a proto-language that could not have articulated them in declarative sentences, must have been themselves religious and consequently, as Durkheim insists, useless as a means of understanding and communicating about empirical reality . . . . What these propositions come into being to oppose is not another (falsifiable) kind of proposition, but a pre-human world lacking in shared symbolic signs of any kind, in which no communal meaning, and consequently no communal interdiction, is possible” (“Roy Rappaport”).

    “Presence in the human sense is precisely not the kind of presence that obtains in an animal’s field of awareness; it [human presence] exists only as deferral, whereas presence in the sense of ‘immediacy,’ whether controlled as in ritual [sacrifice] or occasioned by loss of control as in Girard’s scenes of lynch mob violence [scapegoating], is always accomplished by filling in and effectively abolishing this space of representation—a space that elsewhere in the animal kingdom simply does not exist” (“Minimal Language”).

    [28] Greek philosophers and Christian theologians wrung their hands over the risk of demeaning the gods by ascribing human qualities to them long before modern scientists fretted over the risk of elevating animals by ascribing human qualities to them: in one case, the deity occupies the scenic center; in the other, the animal subjected to “scientific” scrutiny (all too often with its accompanying Frankensteinian cruelties) occupies it. Bavidge and Ground treat anthropomorphism in their chapter “The Happy Chimpanzee” (89-106). The anthology edited by Mitchell, Thompson, and Miles is a rich source of interdisciplinary research on the problem (some say, the epistemological virtue) of anthropomorphism.

  • Review of Richard van Oort’s Shakespeare’s Mad Men: A Crisis of Authority (Stanford, 2023)

    Richard van Oort has followed up his remarkable Shakespeare’s Big Men: Tragedy and the Problem of Resentment (University of Toronto, 2016) with a somewhat more sharply focused monograph.  Where Shakespeare’s Big Men considered five of the tragedies (Julius Caesar, Hamlet, Othello, Macbeth and Coriolanus) the new work limits its textual discussion to two plays, King Lear and the “problem comedy” Measure for Measure.  The previous study used an anthropologically informed analysis—and specifically the heuristic and terminology of Eric Gans’s originary hypothesis–to examine Shakespeare’s working out of the dramatic implications of a central paradox also identified by Gans, namely, that for those on the periphery “identification with” the figure occupying the center “is inseparable from resentment of him.”[i]  Such over-arching issues are still relevant to the current book, but the concern now is “a subcategory” of such figures, centralized  “mad men,”[ii] and as its subtitle indicates, the problems their madness and position pose for legitimacy, authority, and the just or unjust exercise of political power, broadly understood.

    Van Oort points out the consistent linking, in Shakespeare, of that position and condition: in his famous plays “all mad men are also big men.”[iii] Indeed, madness itself is closely, but in specific ways, connected to centrality.   The bard’s view of madness we might characterize as anthropological, or as van Oort puts it, “ethical” rather than psychological: madness in fact is the condition afflicting Big Men whose attempts to renounce the center are inadequate, inconsistent, “fake or insincere.”[iv]  One might say these protagonists, unlike Frodo Baggins, have not made or been required to make full enough a sacrifice of their own desires to enable them to escape the corrosive effects of their rings of power.   Call it a particular formulation of the tragic paradox, a specific form of hamartia that professes renunciation and innocence but is inflected and ultimately undermined by self-deception.

    The structure of Shakespeare’s Mad Men affords itself, therefore, a very thorough investigation of the thematic cruxes of the two plays, of which we can only provide here a simplified overview.  First read is Lear, whose ethic is the gradual recovery of “moral reciprocity” through the dissolution of “bad-faith hierarchy,”[v] a process revealed in the parallel narratives of Lear and Gloucester.  Perhaps the most interesting feature of this specific permutation of what GA formulates as the over-riding dilemma of love and resentment is that it is experienced, by the audience as much as by the protagonists, not from the periphery but looking outward from a center those tragic figures cannot acknowledge themselves as occupying.  Their experiences are of the resentments of others—Gloucester of those of his wronged son Edgar, Lear of those of his not fully enfranchised daughters and subjects—and the process dramatized is a progression from what GA calls the victimary to an ownership of their sins, through stations of self-pity, shame, recognition, regret, and repentance.  This schema requires a reading of the play which, though it builds explicitly on certain strains of previous Shakespearian criticism, must persuade us of a particularly skeptical idea of the behavior and sufferings of these central figures, especially initially, and a more sympathetic understanding of those they have wronged.  Van Oort seeks to persuade us not to mimic the protagonists’ bad faith, but finally to see them as less sinned against than sinning and to read in their fates the tragic expression of a certain kind of justice—the ancient moral of the genre.

    King Lear depicts a “duel between Vanity and Faith,”[vi]  and so long as the former prevails its thralls must confront “the violence that lies at the secret heart of the human social order.”[vii]  Where previous commentary has frequently seen a turn, in Lear himself especially, to the latter as early as Act III when he flees his sharp-toothed daughters out into the cosmic storm and begins there to attend to the sufferings of others, van Oort’s analysis, while conceding some faltering initial steps towards love, is less forgiving.  If the king’s famous curse is “hopelessly self-pitying and resentful”[viii] and his exile “self-inflicted,”[ix] even his subsequent “interpretation” of that storm remains “egocentric,” reflecting only “his preoccupations.”[x]  One is to “discern” a crucial degree of hypocrisy and blindness, a fatal absence of irony, in all his “diatribes on the heath,”[xi]  a waste to which he has resorted out of what Kent calls his “sovereign shame.”[xii]  Shame is the key to much of Lear’s behavior through the middle parts of the play, even his madness is finally “a screen”[xiii] to conceal his true and shameful self, and his persistent shame implies not a redemptive turn to love but a lingering, indeed “grotesque”[xiv] clinging to the perquisites and assumptions of centrality, an inverse expression of pride.  When he “implores the gods to wreak havoc on himself and his enemies” in Act IV, he is still “invoking the sacred power of the center,”[xv] which he continues to feel authorized to wield. Van Oort is very good at registering for us the lingering implications of this pride-in-shame, that make Lear back away from his loving daughter’s embrace, even very late in the play.

    Such a reading is particularly productive with the doubled plot of Gloucester and his children.  Shakespeare’s Mad Men innovatively reads Edgar’s behavior both for its radical rejection of previous sin, and as Poor Tom, its “purification”[xvi] of soul, and for its angry resentment of his father, indeed, even, “fantasies of parricide.”[xvii]  Gloucester, meanwhile, in van Oort’s carefully detailed textual examination (building on and extending that of Stanley Cavell), is far more alert to the stakes than conventional readings of the later acts would suggest, and is likely aware, for example, of just who his ostensibly demented guide is, even in the famous mock-suicide of Act IV.  Blinded, he now can see, and his compliance in his son’s cruel and vengeful charade is an attempt at or offer of atonement, an expression of shame and a means of allowing his son to purge himself of his (justifiable) resentment.

    The approach also requires a perfectly good Cordelia, however, and more challengingly still, some sympathy for the erstwhile devilish other daughters.  Lear’s insistence on his hundred-knight perquisite derives from Vanity; Lear is behaving like a child, and Goneril and Regan’s demands for cut-backs are, after all, “quite reasonable .. . . who can blame [them]?”[xviii]  Even more challenging, perhaps, is the defence mounted of Cornwall, to whom we are enjoined to “give credit where credit is due.”[xix]  It’s to be granted that his blinding of Gloucester is “cruel,” but the Duke too has his reasons and at least follows a semblance of due process, and we should not let his “actions blind us to Gloucester’s faults.”  The Earl “loses his eyes because he . . . is blind to his own evil.”[xx]  Van Oort acknowledges Harry Berger’s suspicious view of Cordelia’s fateful decision not to play along with the love test, but his own Cordelia finally has no choice, is drawn ineluctably towards the center by an overwhelming power that must be understood anthropologically rather than as a function of character. As a person she does, however, throughout, “represent love,” or even “is love,” or at least “partly,”[xxi] and the part that does, or is, is drawn helplessly to desire a center that Lear has made only ambiguously available with his bad faith.

    Finally, though, a noble, and truly tragic outcome is attained by recognition, an awakening from such self-deception, by both Lear and Gloucester.  For Measure for Measure‘s Duke Vincentio, however, no such éclaircissement is attained, producing a murkier result, neither tragic nor comic.  His task—van Oort makes it a version of the larger one of all post-ritualistic modern governance—is to manage the resentments generated by the freer and freer “pursuit of happiness” in a “market” system.[xxii]  His madness consists in his attempt to evade the resentment that even an attempted central control of such a process inevitably generates, while refusing ever to vacate that center, as his tragic predecessors Lear and Gloucester eventually do.  The Duke’s apparent strategy, broadly speaking, is to delegate enforcement to a sacrificial substitute, Angelo, pretend to abdicate, then, as Angelo’s attempts to restrain desire generate ever more threatening violence and disorder, return to pardon all in a “mad and extravagant display of potlach clemency.”[xxiii]  This peculiar plan, however, although it’s sometimes read as an almost God-like (and successful) attempt to heal the realm through the demonstrated praxis of mercy, is actually the expression of his own resentments.  This Big Man’s hypocrisy or mad blindness, shall we say, is the source of the “problem” most audiences and readers have experienced in the outcome of this ostensible comedy.

    Van Oort’s solution of this problem—or explanation of why it is one—is persuasive.  His reading of the Duke’s sometimes cunning and sometimes strange and uncouth maneuvers deploys an anthropological heuristic in a situation that seems almost ideally suited to it.  Here too earlier criticism is usefully engaged, but then extended—many readers of this curious play had noticed the untoward machinations of the Duke, but few had offered as cogent a motivation.  The play is read in detail, and its puzzling and provoking features—Angelo’s attempt to get the beautiful convent-bound Isabella to exchange her virginity for her brother’s life, the implausible but salaciously dramatic “bed trick” by which this intended abuse is ambivalently thwarted—are illuminatingly explored. What steadily and ever more emphatically emerges is the sheer oddity and ineptitude of the Duke’s project, its fumbled stage-managing, its increasingly dubious ethics, its casual cruelties and deceptions, its patent self-serving, the contradictions more and more obvious to other characters and audience alike.   This is not quite Lear’s madness, but it is certainly and to a remarkable degree unhinged.  Along the way, what began as tragedy descends towards comedy, or indeed, “a hopeless mishmash of conflicting genres.”[xxiv]  The Duke’s ambiguous occupation and abandonment and reoccupation of the center is of course to blame—mere farce looms.

    Not that the ethical, or indeed judicial and political issues raised are inconsequential, as van Oort’s useful survey of the various interpretations of the play’s thematic issues reminds us.  But the reading Shakespeare’s Mad Men offers, in its anthropological orientation, is not finally moral or philosophical.  The crucial engines of the play’s action are desire and resentment, and its characters’ various lusts and transgressions mediate each other, in an unstoppable and ongoing sequence.  The Duke’s climactic pronouncement of the curative and resolving power of “marriage and mercy . . . is met with awkward silence”[xxv] and the curtain falls.  The claims of centrality, that he who controls it can trump that “infinitely deferrable” mediation around the social periphery, are transparently empty in the world Shakespeare is writing about and for.  Those on stage, for their own safety, remain mute, while for the rest of us, to “the Duke’s final blustering show of mad self-centralization,” the only appropriate response is “an ironic shake of the head.”[xxvi]

    The case is made in considerable detail of course—to devote a full monograph to just the two plays, albeit canonical masterpieces, ensures this.  If I found myself wishing for anything, it might have been an instance or two more.  For example, another Duke, Prospero of The Tempest, has sometimes been compared to Vincentio, and even to Lear.  He too, another irascible old man, loses, regains, and/or abandons centrality, and maneuvers in ways sometimes provocative of unease.  Here, too, is a crisis of authority, and were the play not taking place in a genre we have come to call romance rather than comedy or tragedy, Prospero’s belief in his capacity to raise and still storms, to free spirits and chastise the guilty, to return his world to what he considers it proper order, might be wondered at, even be thought delusional.  But if it isn’t, why finally does he abandon it, why drown his book?  But perhaps Richard van Oort is already pursuing such questions and may be able to suggest some answers in time.

    Overall, Shakespeare’s Mad Men is a fine and penetrating critical study as well as an excellent addition to the growing body of work exploring the implications and uses of generative anthropology.  Its author notes that it had “its origins in [his] teaching,”[xxvii]  and I can testify to its accessibility and helpfulness to students, having had the good fortune this term to give an undergraduate course on Shakespeare whose readings included the two plays discussed.  I both read and recommended the book, to good effect.   Indeed, for all its depth of analysis, it has a certain jauntiness of style that perhaps suggests both its origin and purpose in academic education.  We are urged to “put our detective hat on”[xxviii] to assess Gloucester’s guilt or innocence, told that the Duke’s bed trick is “100 percent kosher”[xxix] and informed that Isabella’s silence in response to his marriage proposal suggests the heroine “must be truly gobsmacked.”[xxx] Alas, in my age, I cannot say I have been quite so affected by the work under review, but certainly enough impressed by and grateful for its insights.

    Notes

    [i] Shakespeare’s Big Men, x.

    [ii] Shakespeare’s Mad Men, 1.

    [iii] Mad Men, 1. Remaining references are to this source.

    [iv] 2.

    [v] 23.

    [vi]26.

    [vii]28.

    [viii]35.

    [ix]46.

    [x]35.

    [xi]37.

    [xii] 4.3.43, cited on 91.

    [xiii] 92.

    [xiv]45.

    [xv]47.

    [xvi]51.

    [xvii]51.

    [xviii]28.

    [xix]59

    [xx]59.

    [xxi]17, 23.

    [xxii]117.

    [xxiii]118.

    [xxiv]192.

    [xxv]224.

    [xxvi]224.

    [xxvii]235.

    [xxviii]52.

    [xxix]201.

    [xxx]221.

  • La Différance: The Sacred, the Scene, and the Sign

    The Sacred and the Communal Will

    That there is nothing more fundamental to the human than the sacred makes it not the easiest but the hardest thing to conceptualize. Forgetting all we know about religion and its doctrines, the question of why our sense of the sacred leads to the positing of a supernatural will whether incarnated in worldly beings or one or more divinities should be answered neither by claiming this as revealed truth nor by explaining it as reflecting the intellectual limits of our earliest human predecessors, but as a hypothesis in its own terms. And the fact of being able to formulate such a hypothesis makes it possible to deny it. Unlike animal inhibition, human interdiction is not reflexive but reflective, thematizable, and thus deniable, as Eve’s snaky friend well understood. Humans are too smart for their own good because were they any less smart they would not be here at all.

    The simplest theoretical explanation of the sense of the sacred is that its “will” is that of the human community as a whole, as expressed in the equal division of the animal in the originary feast. But although the individuals’ abortion of their gestures of appropriation reflects their sense of sacred interdiction, the source of this interdiction is experienced internally; no external agent is forbidding the interdicted act. This sense of interdiction is in me, experienced as an imposition on my desire for the forbidden object. Attributing it to the community is a theoretical hypothesis, a construct within a model rather than a lived reaction.

    We have been over this before, but we must continue to reflect on it, and indeed, this is the model for all anthropological reflection.


    Were we to accept human language as a “natural” phenomenon to be assimilated to such things as the genetic code, animal signals, etc., we would miss the essential point of the underlying equivalence between the significant and the sacred. GA has from the beginning been an attempt to understand the emergence of the human as that of signification, the use of signs, a new category of behavior that extends the behaviors available to proto-human hominins through the mediation of what Jacques Derrida called la différance, the creation of a new, “cultural,” form of difference as a result of the deferral of appropriation imposed by an internal sense of sacred interdiction. This deferral of worldly action situates its object on a scene separated from the subject by what Sartre called a néant or nothingness that surrounds the object of human subjectivity, which he called after Hegel the for-itself or pour-soi.

    The equation of significance with sacrality is originary, and regardless of exactly how “the” originary event played out over the period during which homo sapiens emerged as a separate species, the sacred emerges as a quality of the signified of the (first, unique) sign: the interdicted object that must be signified because it cannot be possessed, yet is in principle infinitely desirable. Desire as a human emotion is born as appetite mediated through this interdiction when the new behavior of designation takes the place of that of appropriation.

    In this perspective, the sacred is a quality, in itself un-referenceable, that attaches to the object referred to by the sign in the context of the human scene. Once we keep this in mind, we realize that we must understand every phenomenon of human culture, embodied in the exchange of meaningful signs, as framed by the sacred.

    We have suggested as a first approximation that the sacred, as a will that we experience in ourselves but not of ourselves, corresponds to our sense of the collective will of the group of which we are a part, and by extension the will of “the human community.” But our sense of the sacred is not directly mediated by other humans. That the attachment of this “sense” to the immanentist divinities that preceded the Axial Age was less true to the originary sacred than its later focus on a single transcendental divinity is not a mere matter of taste, or even of Ockham’s razor: the sacred is everywhere the same. Although we may call it God or the Lord, which are in fact categories rather than names, the sacred is not in essence a nameable being but the underlying reality of namability, that is, of language itself. The Orthodox Jewish custom of calling God HaShem, “the name,” is in its paradoxicality truer to the sacred than any other mode of designation.

    What we call an act of faith is the affirmation that we can communicate not just with language but with the sacred itself. That whatever may be the effect of our communication, the sacred takes it into account; and that since the sacred is “immortal,” our communication is likewise. Hence that “in some sense” we participate in immortality, not simply as figures in a temporal history, but as coexisting with the sacred.

    Remarks on Buddhism

    In my reflections on Buddhism in Chronicles 515516, my point of comparison was the paradoxes of temporality in Nagarjuna and Zeno, by way of demonstrating the contrast between the West’s mathematical conceptualization of the infinitesimal and the East’s interpretation of it as a demonstration of our incapacity to represent the temporal, and by extension, to grasp reality in language. This is what David Goldman (see Chronicle 774) meant by the West’s “finitization of the infinite.” In effect, the same paradoxicality applies to all representation, to the extent that the representation itself cannot be included in the universe it represents. The incarnation of the sacred will in a Being however defined “resolves” this paradox, in the sense that this Being constitutes an “Archimedian point,” separate from the universe, although not outside it—and can therefore resolve Nagarjuna’s Mahayana paradox by allowing us to situate our representations outside the real world.

    But the more fundamental characteristic difference of the Buddhist sacred is its refusal of incarnation, not merely in a worldly figure such as Christ but even in a transcendent One God. Where the Judeo-Christian West views the sacred/significant from the standpoint of the human subject of language and his representation of reality, the Buddhist East focuses on the virtuality of the scene of representation independently of its potential object(s). Whence the well-known meditation exercises that trivialize the referent in order to make the subject aware of the scene of representation itself: forcing one’s attention on a trivial object long enough so that we come to focus on the conditions of attention itself, on the scenic structure of its intentionality rather than on the intended object. Here significance is shown to be a product of the scene, such that its attachment to a specific object is of secondary importance. The communal significance of a given object is no doubt recognized in everyday life, but the underlying mechanism of the scene, unlike in the West, is detached from the originary appetitive significance of the central object. Hence the desire that attaches us to the scenic center is treated not, as in the West, as a possible source of sin, but rather as an illusion. The Buddhist “paradise” of Nirvana is the paradoxical achievement of centerless scenicity.

    The Miraculous and the Transcendental

    I often think that the most important lesson we can learn from GA is that the sense of the transcendental that strikes us in “unforgettable” experiences of all kinds, from falling in love to the act of faith, is no more than an experiential intensification of everyday human experience. When I speak of the scenic, it strikes no one as exceptional—nor does even the screenic, a neologism that seems appropriate to our current culture, the ubiquitous cell-phone screen being the heir of the Lumières’ original canvas sheet, now under the control of each individual. We take it for granted that the proliferation of screens and screenic materials should exercise on us a strong attraction without noticing how this confirms GA’s fundamental notion of the scenicity of human culture.

    For the scene is, like all cultural phenomena, a banalized subcategory of the sacred: a locus of revelation. This is not just one more case, but the general case, of revealing the marvelous, miraculous, transcendental aspect of the fundamental distinctive feature of human existence—as with pointing, the instigator of common joint—in other words, scenic—attention that only humans practice.

    It may appear silly to talk about the “miraculous” or “marvelous” nature of pointing, or talking, or sharing a communal meal, but by speaking of experiences as transcendental we are singling out as foundational those that depend on the framework we invented for ourselves long ago, and that continues to preside over the totality of our conscious, and a good part of our unconscious, experience. Thus I insist that the sacred differs from the significant only in the relative banality of the affect attached to the latter; in either case, the significant object inspires the deferral of action in favor of contemplation and representation. The qualification of sacrality thematizes this deferral as a sense of awe, fear and trembling, etc., which in effect, however we may deny it, reminds us of the originary experience of the fundamental human configuration of différance: the sacred, the scene, and the sign, which are part of every conscious human experience.

  • David P. Goldman on Jewish Wisdom vs Greek Science

    David P. Goldman, aka “Spengler,” is no doubt the most widely read and sophisticated pundit of our time. If only for revealing to me the pianistic genius of Yuja Wang (see Chronicle 664), I would be forever in his debt.

    Goldman is one of very few secular Jewish intellectuals to take seriously the Haredi insistence on strict adherence to halachic tradition, a side of Judaism that many find incompatible with modern life, as witness the violent reactions to Netanyahu’s new government, which includes Haredi parties and seeks to overturn the current liberal legal dictatorship which perpetuates the secular Ashkenazi Labor values of early Israel. But although the reader can surely guess which side of this battle has my sympathy, this is not the subject of this Chronicle.

    In a recent article in Tablet (https://www.tabletmag.com/sections/israel-middle-east/articles/rav-soloveitchik-solution), by way of promoting Israel’s intellectual responsibility as the unique Jewish state, Goldman insists on the value and significance of the writings of Joseph Dov Soloveitchik (1903-93), the “Rav,” whom he describes as “the guiding light of the branch of Orthodoxy that supported Torah Umadda—secular studies combined with traditional Jewish learning.” His assertion of the relevance of this tradition for modern science, regardless of any specific application to GA, can serve as an inspiration for those like us who view the Judeo-Christian contribution to scientific epistemology as unfairly overshadowed by the “Greek” perspective within which the sciences have developed.

    Goldman’s pitch for a “Jewish turn” in natural science is speculative, but not naïve. As intellectual heirs of Girard’s Judeo-Christian alternative to the universe of Greek metaphysics, I think we owe it to ourselves to reflect on the possibility of enriching the scientific world-view with the spiritual intuitions that are at the root of Judaism. I am encouraged by the simple fact that Girard, despite his limitations with regard to language and its philosophical implications, has proved a surer guide to the originary core of the human than the post-structural majority of French Theory, and that Derrida’s most significant contribution, as I hope to have made clear, was not his deconstructive critique of “presence,” but his foregrounding of différance/deferral and its conversion into difference.

    I am certainly not qualified to discuss Soloveitchik’s thought or its context. But the strength of GA lies in its insistence on reducing its basic categories to simple behavioral terms. Hence, whatever additional benefits might accrue from a study of this branch of Orthodox Jewish thought and/or such things as the Kabbalist tradition, my intuition tells me that we will get the greatest benefit from viewing Goldman’s thesis in its most general terms:

    The “secret of tsimtsum” [divine self-contraction] implies no less than the dethroning of the self-contemplating God of Aristotle and Plotinus, and the coronation of the God of the Bible, and a change of intellectual regime from divine passivity to divine turbulence, in Gershom Scholem’s felicitous phrase. Creation is unthinkable under the reign of Aristotle’s god, the “unmoved mover” who is eternally unchanging. . . . Creation ex nihilo . . . stumbles into contradictions: If God created the world from nothing, there was nothing but God before creation, and all creation must be part of God. God therefore is everything and everywhere, and we are trapped in Spinoza’s pantheism.

    Why would God wait an eternity to create the world, and then create it at a given point in time? . . .

    Isaac Luria offered a revolutionary solution . . . : God contracted Himself within Himself to create an empty space in which He could create something that was not God.

    GA has made a similar argument in a very different context: the core of Greek philosophy is metaphysics, which I have described as taking language as a given, implying that the things we see and to which we have given names have already received their “meanings” before we encounter them. Of course the pre-Socratics knew about change; Heraclitus was more or less a contemporary of Parmenides. But if the Ideas come to us from the metaphysical language in the sky, then the change we see in the world is merely the passing from one Idea/meaning into another; it does not involve human penetration into the objects that we observe in such a manner as would change their significance.

    Plato’s dialogues abound with examples of the crafts exercised by bakers, cooks, herdsmen, potters, smiths… but the fundamental generative notion that words are human creations that group their referents ultimately for human practical purposes—even if we must step back from (“bracket”) these purposes in order to understand how these referential objects behave—is absent. Whence Goldman’s point that the Aristotelian “unmoved mover,” being separate from the world he manipulates, is in no sense a part of it, whereas the Hebrew God, to follow his argument, could only have created the world from within himself, which entails that it participates directly in God’s divinity, or in our terms, in the sacred.

    In dealing with natural science, whether the world is filled with sacrality or is wholly separate from it is irrelevant, since the sacred is not a scientific category. Nevertheless, we cannot help but notice that this fundamental scientific attitude does lead to scientists’ discomfort with GA in the domain of human origin, in particular in that of language. Needless to say, simply attributing sacrality to living things and/or humans is no more helpful than positing Bergson’s élan vital. But considering as GA does the human discovery of the sacred through the necessary deferral of worldly action as a qualitatively new phenomenon, by the very fact that it is on the one hand evident, yet on the other a taboo subject—for language, as we have seen, is a generalization of the sacred: the interdiction of the central animal in the originary hypothesis is the source of all the différances in the dictionary—suggests that we might fruitfully suspend our judgment on this issue, if only to see where it takes us: to a rethinking of the paradoxes of quantum theory, for example?


    Goldman’s remarks are meant in the first place as an encouragement to Jewish/Israeli scientists to let themselves be inspired by the Jews’ dynamic sense of the sacred in contrast with that of the Greeks. He describes the mind-set of modernity, what (the other) Spengler called the Faustian, as “the finitization of the infinite”:

    The finitization of the infinite is the foundational concept of modern mathematics (in the calculus), of visual arts (in linear perspective), of music (in the plasticity of time in modern voice-leading), and of philosophy, most prominently in Kant’s aesthetics [e.g., in the “sublime”] and the Hegelian dialectic.

    This formula is roughly compatible with my own definition of the post-classical esthetic as the conscious thematizing of the scenic, such that the characters in a play are aware that they are “on stage,” not directly as in a post-modern production, but in relation to their world, so that unlike the characters in Classical theater and epic, they have a sense of their dramatic role as a burden that they must consciously take on rather than simply embody. (See Chronicle 771 for a brief discussion of this.)

    Goldman’s idea of the finitization of the infinite is his way of referring to the evocation of the sense of the sacred as that which is beyond our capacity to represent directly, but that we can “figure” within our world by perspective, chord progressions, and in general terms by evoking a sense of transcendence, of revelation. What Goldman refers to as “the infinite” is less a mathematical term than a reference to seeking paradoxically to conceptualize what is necessarily beyond us—a perspective that Christianity takes on directly by placing the “absurd” miracle of the Resurrection and the divinity of Christ at the historical center of time rather than at its distant beginning.

    In Jewish thinking, on the contrary, the paradox is never miraculously resolved by an act of faith but remains as an always active tension, whether described as the infinite in the finite or the presence of God in all things. Goldman seeks to make this the principle of a specifically Jewish science that he hopes will inspire new discoveries. Thus he suggests that the exact sciences seem to have encountered a roadblock:

    To enquiring young minds among the Israeli secular, we must say . . . that the mechanistic, materialistic view of the world has failed, and that the crisis of science and philosophy have [sic] opened the door to a new philosophical understanding of religion. Western philosophy came to a dead end when Kurt Gödel demonstrated that mathematics could not prove its own premises. What great philosophers are working today? With the deaths of Hilary Putnam in 2016 and Saul Kripke in 2022, we lost the last of the generation that grappled with the foundational issues raised by Gödel. Set theory hasn’t advanced since Gödel and Paul Cohen proved the independence of the continuum hypothesis from its axioms. Physics has learned nothing fundamental since the quantum revolution of the 1920s.

    The way forward is the way back—back to the hashkafa [world-view] that inspired and guided the scientific revolution to begin with.

    We need not accept this blanket judgment of the sciences, although I can’t say I don’t sympathize with his perspective from my layman’s point of view. Although I know that physicists in particular are excited about the new discoveries available as the result of new colliders and new telescopes, one does get the impression that our basic knowledge of the universe and of the constitution of matter/energy keeps getting more complicated without any new theory arising to systematize it. The “standard model” of particle theory includes several “generations” of particles but doesn’t account for the 95%+ of “dark” matter/energy. We need not expect that a layman should be able to follow the reasonings and equations involved in such a model’s construction, but its combination of complexity and incompleteness seem to call out for a more elegant and inclusive formulation, although we have no guarantee that such is or will ever be possible.

    What is attractive about Goldman’s exhortation is that, in the radical simplification that treats the universe as made of “sacred” material, it does not affirm an élan vital of its own, but merely insists that we cannot know a priori the degree to which what we experience as our human (self)-consciousness, whose root is the sense of the sacred that we have acquired through our experience of mimetic desire, corresponds to a capacity of the matter-energy of the universe that may be able to manifest itself in other forms. Goldman’s exhortation makes no predictions about how the sacrality of creation can effect natural science, but merely leaves us open to possibilities that, like Gödel’s theorem, demonstrate the openness of what was conceived as a closed axiomatic system once it is allowed to have an infinity of members. And certainly the anomalies of quantum theory, such as entanglement, which Einstein described as spukhafte Fernwirkungen (“spooky actions at a distance”), cry out for an explanation that will reconcile them with the world in which we live our everyday lives.

    What I see here as a certain affinity for GA lies in the refusal to accept the current set of paradoxes as beyond our reach, and in the insistence that, just as the infinite was “finitized” through perspective in art and calculus in mathematics and dissonance and resolution in music, so these other manifestations of “the infinite” may equally well be tamed by some new exercise of the human intellect, one that Israeli scientists, inspired by the particularly Jewish marriage of the sacred and the real, may be particularly qualified to accomplish.

    I cannot help but mention at this point that GA too is a Jewish creation, although its debt to Christianity is of its essence—and indeed, I think its very origin demonstrates the elder brothers’ need to learn from those who in the beginning learned from them. Such reflections liberate the mind, and to the extent that GA is still in its early stages, I think Goldman’s words can only encourage our ambition to understand the human for the first time in concrete, behavioral terms, just as humanity’s emergence opened up a whole new universe of meanings, tools for conceiving and manipulating the material universe.

    After all, we think we understand life, and have constructed persuasive models for the emergence of life from lifeless matter (see in particular Terence Deacon’s Incomplete Nature: How Mind Emerged from Matter, U of California, 2011, and Chronicle 490). Yet we have not yet been able to generate new life, and until we do, we cannot be sure that we fully understand how it could have arisen.

    As for the human, GA offers what appears to be at present a minimal hypothesis, but only the construction of an artificial consciousness as I suggested not altogether seriously in Chronicle 703 would demonstrate its correspondence with reality. Without falling into the facile mysticism that such notions as l’élan vital engender, the insistence on continuing to defer the conclusion that there is nothing more to be understood from what the sense of the sacred engenders can only serve us in our quest for knowledge, whether of ourselves or of the universe.

  • GA: The 21st Century

    I spent the first years of the new century adapting to a new marriage and to a new phase in my career at UCLA in which I was no longer in full harmony with my profession. UCLA had always treated me as worthy of advancement. But when I came up in 1997 for promotion to Above Scale, or “Distinguished Professor,” although I had already published 11 books and many articles, I was turned down for the promotion. As I later learned, I was rejected not only by the extra-departmental professors evaluating my file but by the (new) Dean, who later told me that she frankly didn’t think I deserved it. The fact was that I had never cultivated the other people in my field, and my anthropological writings were not such that these literary scholars felt able to exercise an independent judgment on them, save in the sense that they could observe my relative lack of professional visibility.

    I was shocked by this rejection, and my affection for UCLA has never recovered from it. It took me two additional attempts, and ten more years, to obtain this status, and it is likely that I never would have been promoted had there not been a change in the administrative procedure that allowed a new Dean to approve the promotion on the recommendation of the department without the formation of a so-called ad hoc committee of outside faculty.

    Meanwhile, the domain of French letters was no longer what it had been in the days of Sartre and Camus, or even of Sarraute, Robbe-Grillet, and Duras. The most popular area in the department was now “Francophone” literature, that of France’s former colonies in Africa, Asia, and the Caribbean. Fortunately, by chance I had taken over the role of teaching French film. A colleague in the film school had proposed we teach a joint course together on filmic and literary realism back in 1994, and following that experience, given that no one in the department was teaching film, I learned enough about French film and the basic cinematic techniques to revive our film program, from lower-division to graduate, and would eventually direct several doctorates in film. This was a fortunate change, since interest in traditional French literature had greatly diminished, and in my last decade or so of teaching I taught more classes on film than any other subject, although I continued to offer my GA seminar.

    Stacey having encouraged me to do more research for my books, I spent a good deal of time researching The Scenic Imagination from Hobbes to Freud (2007), which presented these modern originary scenes not as mere fantasies but as modeled on a genuine originary intuition: humanity was in its origin a communal phenomenon.

    At the same time, my interest in film and my “romantic” spirit led me to a project on the life of American actress Carole Landis, who had committed suicide in 1948 at the age of 29. This was something of a vacation from my anthropological reflections, and it involved both interviewing some old actors and more hours of library research than even my dissertation, leading to Carole Landis: A Most Beautiful Girl (2008) in the U of Mississippi Press Hollywood Legends series.

    Meanwhile, as a result of a trip to Vancouver and meeting with a coterie of admirers of Girard called “The Sparagmos! Group,” including Pablo Bandera, Andrew Bartlett, Christopher Morrissey, and Richard van Oort, who was at that time teaching at UBC in Vancouver, the stimulus was provided for the creation of the GA Society and Conference (GASC). This was formed (and its initials established) a year or two after the first GA Summer Conference, organized by Andrew Bartlett, was held at UBC in June 2007.

    I continue to be amazed that this organization has not only maintained a formal structure with dues, a president, and a secretary-treasurer, a position ably filled since the outset by Ian Dennis, Professor of English at the U of Ottawa, whom I have always considered “the adult in the room,” but has put together a conference every year since then, although our 2020 conference scheduled for Bar Ilan University in Israel had unfortunately to be postponed in view of the Covid epidemic. A cohesive group was formed that has held together ever since, with a few defections but above all with the addition of new and, recently, younger members largely inspired by the writings of Adam Katz on various internet forums. This year’s conference, our 16th, will be held at Palo Alto under the direction of GASC founder Andrew Bartlett, along with Zack Baker and Zenon McKinnon, two members of the generation of my grandchildren.


    The era of “French theory” and “deconstruction” was a time of intellectual experimentation, when the vocabulary of philosophy and that of the social sciences intermingled in ways at times undisciplined, but which in the broader sweep of intellectual history sketched out the contours of a new anthropological perspective, one that reflected more deeply than in the past on the scenic elements of interwoven human lives and given “textual” density via the literary and/or visual language of novel, drama, and film.

    I need not repeat here points I have made elsewhere about Jacques Derrida’s perverse but highly insightful anthropological intuitions, which can all be understood as scenic, and of which the most fundamental is his idea of différance: the deferral of immediate action that permits the constitution of scenes and the signs that accompany them. It is of secondary importance in the greater scheme of things that rather than treating la différance as a foundational anthropological concept, Derrida saw it primarily in the context of deconstructing the metaphysical edifice of philosophy; but as a consequence, those attracted to Derrida’s thought, and Derrida himself, never saw GA as relevant to it. And if Girard’s thought has survived in better condition than Derrida’s (Girard and mimetic desire were referenced in the Friday May 12, 2023 New York Times crossword puzzle!), it is because its concepts (mimetic desire, “scapegoating”) can be applied directly to worldly situations without reflecting on their role in humanity’s historical development.

    GA has the potential to restore to our understanding of history in the past and present a Burkean respect for order and tradition to counter the Woke illusion of having revealed the primordial moral truth behind millennia of oppression and exploitation. But the present era is skeptical of originary constructions. The originary hypothesis requires of those who would explore its possibilities a new mindset that is able to abandon the “prison-house” of metaphysical language for a free act of tentative adherence to an intuitive model.


    About ten years ago, Adam Katz and I proposed a book on antisemitism to an organization called the Institute for the Study of Global Antisemitism and Policy (ISGAP), whose director Adam had encountered at a conference. Our book was accepted and was published in 2015 by Brill in the Netherlands under the title The First Shall Be The Last: Rethinking Antisemitism. But although we had been promised that we would be asked to participate in public discussions of the book, these were limited to a single “book launching” in New York City attended by twenty-odd people. The book received almost no publicity from ISGAP, and its price is so excessive that it can hardly have sold more than a few copies even to libraries.

    It is instructive to note how closely the support of our book by ISGAP resembles the status of GA in the world of the social sciences. Just as the originary hypothesis violated a taboo, so did our approach to antisemitism. Instead of dealing with the unpleasant history of the subject, which has been well documented by scholarly historians, our point was to explain antisemitism in terms of what we conceived as its essence. Our title was borrowed from the Sermon on the Mount, and indeed many passages in the New Testament suggest that the fate it predicts was to be that of the Jews, whose arrogance (“Scribes and Pharisees, hypocrites!”) is blamed for Jesus’ condemnation and crucifixion.

    Our point was that this Pauline perspective was above all a critique of Jewish firstness, the Hebrews’ paradoxical recognition that there is only one God for everyone, but that at the same time, as those to whom this was first revealed and who proclaimed it in the Torah, the Jews present themselves as the One God’s “chosen people,” whether or not they declare this explicitly.

    Given the success of Christianity and its universalization of monotheism in the West, the Jews’ firstness, which inspired John Paul II to call them the Christians’ “elder brothers,” was an obvious source of resentment, one that makes pogroms, expulsions, and finally even Hitler’s project in all its horror all too understandable.

    But this is not what an association formed to combat antisemitism wants to hear. It sounds too much like a justification for antisemitism—as though the act of explaining it is by its very nature indecent. Somehow this idea had not penetrated the minds of the decision-makers until they actually had the book in hand, but when they realized what they had approved, they could find no role for it.

    Yet had we had a chance to defend it, we would have pointed out that however important it may be to mobilize people to fight against antisemitism here and now, it must be understood in the context of the history in which it is rooted, in which the “absurd” Christian belief in the Resurrection, which guaranteed the extension of the One God’s worship to non-Jews, was the capstone of the Axial transformation of the archaic into the modern world.

    To understand this historical phenomenon does not imply that antisemitic acts and doctrines must be “accepted.” The only deeds that we can influence are those to come, and understanding the evil ones of the past is not helped by rejecting their rational explanation. It is unfortunate that it is only in the wake of the Holocaust that we have really come to understand these truths, but it does no honor to its victims to refuse to explain their fate. On the contrary, it is only by making past evils understandable that we render them easier to prevent in the future.


    How then can this point be made with respect to GA as a whole? In the first place, we should point out that it is GA that made our explanation of antisemitism possible. GA’s originary perspective on the sacred understands monotheism as a progress over polytheism, not because GA is itself monotheist, but because it sees monotheism as an anthropological advance. Monotheism’s conception of the sacred is closer than those of the various polytheisms to its basis in the human “sense of the sacred,” which, however varied its expressions have been, is like language essentially the same throughout all human societies.

    In a word, what drove different groups of hominins to abort their act of appropriation and transform it into a sign was the same phenomenon everywhere, and recognizing this is certainly one of the great advances in human self-consciousness. The sacred itself is a fundamental human characteristic independently of how it is or is not conceived as incarnated in a divinity, and in that context, the greater correspondence of monotheism to the human condition is a simple fact. But when Christianity arrived to spread this Jewish revelation/discovery to non-Jews, resentment of the Jewish pairing of the One God with the sense of being God’s exemplary people—the root of antisemitism—became inevitable.

    By the same token, the originary hypothesis may well be the best model so far advanced for explaining the emergence of the human. But it seems certain that it can only come to be generally accepted as a result of the research in the human sciences that it is able to inspire, research that will both flesh out and modify the conclusions of my own less than fully scientific speculations.

    I am nonetheless confident that this new way of thinking already provides a sufficient basis for a rethinking of the social sciences, founded on the integration of the human sense of the sacred, along with the sign, the scene, and the event, into the core of anthropology. It will be up to those who share this intellectual faith to overcome the taboo of the Société linguistique de Paris and demonstrate to the world that yes, it is possible to propose a useful, rational hypothesis concerning the origin of humanity, its language, its religion, and its culture.

  • The Scene and the Obscene: The Generative Way of Thinking

    Le Figaro, France’s conservative daily, published on May 1 an article by literary critic Marin de Viry deploring the interruption of the Cérémonie des Molières, the French equivalent of the Tony Awards, by two actresses protesting the recent controversial government decision to bypass the National Assembly and enact a retirement reform that would increase the basic retirement age from (please don’t be shocked) 62 to 64.

    This interruption was surely far from the thuggery of the recent fracas at Stanford Law School, where Judge Kyle Duncan, invited to speak on a legal subject, was prevented from delivering his talk and roundly insulted by student hecklers, then weakly defended by the Dean of DEI, whose intervention failed to condemn the hecklers. But what struck me in Viry’s piece was its description of the interruption as an attack on what he called, using a term familiar to GA, the scene, an act qualified, borrowing a quasi-pun from the late Jean Baudrillard, as ob-scene. He thus reminded us that the root meaning of that term designates what violates a scene, understood as a locus of sacred activities that command universal attention.

    Here is a translation of a key passage from the article:

    The obscenity was confounding the scene of political negotiation with that of the award presentation. Of course, it has become almost basic to today’s mentality, especially in the entertainment world, to want to break codes, blow up conventions, not tolerate not interrupting, to insist on disrupting the smooth operation of institutions, leading to the triumph of the imperious desire to impose one’s presence and have everything else grind to a halt in order to make oneself noticed. It is as if it has become normal to show up in a ball gown at a swimming pool, or in a bathing suit at a formal dinner. No institution, no event is exempt any longer from such brutal hijackings, like those of airplanes in the past.

    Viry repeats the term obscénité, expressing  a sense of sacrilege in referring to an act of confounding the scene of the awards with that of political protest—the French term confondre designating not mere confusion but improper equivalence, treating in the same fashion the profane and the sacred.

    What struck me in Viry’s reaction to what we would consider a minor disturbance, one that in American ceremonies of this kind is by now more expected than shocking, is that he puts his finger on the specific “obscenity” of the antinomian behavior that increasingly characterizes the contemporary implementation of what I have called “the epistemology of resentment.”

    Every point of his denunciation is presented as an attack on the sanctity of scenes that society had heretofore treated with reverence. To “not tolerate not interrupting” (ne pas supporter de ne pas interrompre) can virtually be translated as “to leave nothing sacred.” No doubt the epistemology of resentment is at the origin of these sentiments, but it is important to see them as attacking not merely the sources of power but the very fiber of the social order. Our societies are presumably defined by the “rule of law,” but as Burke observed already in the early years of the French Revolution, and as the recent legal troubles of both Trump and Netanyahu demonstrate—in contrast with the impunity of the Biden and Clinton families—even when the formal rules are followed, these legal scenes are clearly manifestations of political power rather than quests for justice. Once the unwritten rules of communal activities are no longer obeyed, the courts become either impotent or mere instruments of the mob and its masters.

    In a broader context, the desacralization of our public scenes reveals itself in not attending church services as well as in skipping marriage, increasingly seen even by stable couples as an irrelevant formality. Millions will have watched Charles’ coronation last weekend to witness what increasingly strikes us as a relic rather than a living example of continuity.


    How does one restore sacrality where it has decayed? The most obvious answer is the one recommended by religious sources: an act of faith. And more than a few have found a new life purpose in recent times by either returning to a faith abandoned or adopting a new one. GA can explain such acts, but it cannot substitute for them. Yet the question does arise as to whether GA’s foregrounding of the scenic, and of the différance that makes it possible, can serve, in the absence of a transcendent faith, as the foundation of a worldly ethic.

    That GA and religious faith have much in common is reflected in the simple fact that they are both tabooed in what presents itself today as rational discourse. One might think that scientists and serious scholars would be willing to differentiate between the discursive mode of Genesis and that of the originary hypothesis. Yet both tend to be treated as myths lacking in “falsifiability” in Popper’s sense.

    Even when it is made clear that the hypothesis’ reference to “eventfulness” does not imply that a single moment divided the past from the present and transformed proto-humans into humans, that the hypothesis is not contradicted by the obvious fact that the emergence of humanness, eventfulness, and scenicity, along with that of deferral and différance, must have taken place in stages, and no doubt at different times among different groups of hominins—there still remains the matter of the Rubicon that must be crossed, even if one step at a time and not simply leapt across, to get from animal communication to human language and the rest of the culture that accompanies it. Like the change of state from water to ice, the origin of language involves a series of many small changes, but the end result is qualitative rather than quantitative, and in addition, the quality of humanness, unlike any others found in nature, involves the creation of a whole new system of intraspecific interaction.

    GA’s originary hypothesis is a minimal model of what was necessary to permit the first scene, the first sign, the first event and their memorability and sacrality. However much “real life” must have been sloppier and less schematic, we could not be what we are without the invention of the scene, the sign, the sacred, the event. The problem is that such qualitative changes are excluded from the realm of scientific discourse as normally understood. The universe has evolved considerably since the big bang, but in scientific terms, it has done so without any of these features, because they are specifically associated with the human, and the specifically human has remained off limits to the scientific theory of evolution.

    We witness many indications of this. One of these, as I have noted several times in these Chronicles, is the insistence on presupposing the existence of life elsewhere in the universe. Needless to say, I have no authority to deny that this is possible. But for years I have remarked that virtually every exploration of celestial bodies other than stars and black holes speaks of them as potential habitats for life. In some articles about exoplanets, or even bodies in our own solar system such as the moons of Saturn or our neighbor planet Mars, the word life is repeated constantly, as if to make up for the fact that no trace of life has yet been found in any of these places. What is notable about this is the tacit a priori rejection of the idea that life is quite possibly not found elsewhere in the universe. Let alone “intelligent life,” whose absence becomes increasingly difficult to explain away as our means of exploration become more powerful, given that it certainly stands to reason that if we can evolve in a mere few billion years to this point, other creatures on one of the trillions of planets elsewhere in the universe might well have done the same a bit earlier and provided for us traces of the ETI activity that we are so anxious to observe.

    I think there is more here than the neutral scientific exploration of an open possibility. There is a clear if unspoken dogma in the scientific mindset in this case that goes beyond simple uniformitarianism. No doubt if we could become sign-users, so could “other life forms,” but we have not the faintest idea of the probability of any such life-forms so evolving, particularly given the lack of evidence that any life-forms exist elsewhere. What I find irksome in these constant references to extraterrestrial life is their implicit conviction that such life must exist, if not on Mars then on Ganymede, or on some exoplanet recently discovered that appears to have liquid water. Even then, the SETI question would not be answered, but at least it could reasonably be asked. Whereas at present at the very least we are obliged to consider ourselves an extremely rare phenomenon, either because any similar species have evolved to the point of blowing themselves up before taking care that their existence would remain visible elsewhere in the universe, or in the simple zero-hypothesis, because there haven’t been any.


    GA has neither the need nor the ability to make predictions about extraterrestrial phenomena. But because it does suggest that, as far as we can tell, humans are “special,” and although this is something we all must recognize, once more, the suggestion of a qualitative difference between our minds and those of other primates remains properly unthinkable, given that it denies the uniformitarian principle that insists that all differences between forms of life are “relative.” Our proposal of a behavioral explanation for our difference from our fellow hominids is scandalous because, instead of attributing this development to the fortunes of our DNA (the “language gene”), it affirms that human self-consciousness emerged because it was necessary to our survival, the problems of which were certainly due to our DNA-improved brains, but which reached the point where a collective solution was necessary that transcended DNA modification and began to drive it.

    The idea that humans have invented/discovered a new way to deal with survival that depends on inter-communal communication not inaugurated within the genome doesn’t seem scandalous to me, but the assumption that it does to the scientific community explains why in their eyes our hypothesis is not a hypothesis at all but an unfalsifiable myth of origin. Yet the hypothesis neither postulates the existence of supernatural beings nor implies a preexisting level of social organization incompatible with prehuman society.

    What it does imply, however, is, to cite once more Roy Rappaport’s 1999 Ritual and Religion in the Making of Humanity, that language emerged coevally with the sacred—understood as a purely human phenomenon not implying the existence of supernatural beings. Once more, the emergence of the key characteristics of human culture—the scene, the sign, the event—is inconceivable in the absence of what I have called the sense of the sacred, which corresponds to the essence of what had earlier been called the soul, the conscience, or the superego.

    From this perspective, the sacred, rather than being defined by the postulation of supernatural powers and/or beings, is wholly explicable as a product of human interaction. Although the sense of the sacred has historically aroused beliefs in the existence of such powers and/or beings, it is independent of them and can and should be so examined.

    Whence the importance of emphasizing the underlying identity between the sacred and the significant, between the attribution of a signifier and the attribution of supernatural status, where the common component of signifying is independent of one’s belief in the existence of the supernatural. Thus the Jewish refusal to name the divinity should be understood as a historical discovery concerning the ontology of any conceivable extra-worldly being. As I have noted, a word is itself a “supernatural” entity in the sense that it has no worldly reality as a thing. Unlike any element of our experienced reality, a word is a form, a possibility of speech or other modes of signing, one that presupposes the existence of a human community that shares its language.


    Let me conclude with the observation that I view the taboo that has until now precluded widespread interest in GA as a sign, not of its irrelevancy, but rather of its apparent infringement on the sacred ground hitherto trodden exclusively by the faithful and therefore off limits to scientific thinking. But the only faith required by GA is the confidence that the exploration of the consequences of the originary hypothesis neither infringes on religious thinking nor reflects the inauguration of one more crackpot “belief system.” The hypothesis is not meant to be caressed as an idol; it is the point of departure of a new mode of anthropological thought.

    After over forty years, I continue to believe that all prior reflections on human culture would be enriched and transformed by incorporating this new perspective. And the researches such a perspective has the potential to stimulate, and which my own work only very partially anticipates, hold the promise of revolutionizing our understanding of every dimension of human activity. It is this faith alone that generative anthropology asks of us.

  • Origins of GA II: The End of Culture

    The Origin of Language (TOOL), published in 1981 by the University of California Press, is the only one of my books that was promoted by the publisher; an advertisement with my picture even appeared in the New York Review of Books. Its failure to attain best-seller status reflects less a weakness in the theory than the disparity between my theoretical interests and those of the linguistics community, whose Saussurean-Chomskian study of mature language is unconcerned with its evolutionary pre-history and suspicious of any attempt to reconstruct it.

    I also returned to the chairmanship of the French Department in 1981, which gave me less time to write, but I was able to follow up TOOL in 1985 with The End of Culture: Toward a Generative Anthropology (TEOC), the first naming of our new field. The title reflected a certain impatience provoked by the discovery of the originary hypothesis. I ended the introductory section of the book with “… the end of culture; the beginning of human science,” not meaning to imply that culture itself was ended, but rather that henceforth cultural activity would forever be accompanied by GA as its evolving scientific self-consciousness. Even could this in some sense be true, I would no doubt have done better to let it be said by someone else!

    I wrote these books, like everything else I have written, without any serious consideration of the academic market. A phrase of Girard’s that I will always remember is that I was constitutionellement incapable, intrinsically incapable of acting so as to cater to the preferences of this market. This was a domain in which Girard excelled, without in any sense compromising his principles. His formulation expressed a kind of pitying admiration for someone whose character makes him unable to strategize success.

    Whatever the value of the theoretical material in TEOC, to attract a readership it would have had to be associated with or depend on an already authoritative source. And because, in the book, the theory precedes rather than follows the specific analyses—in obvious contrast with Mensonge romantique, which begins with a quote from Cervantes—TEOC did little to seduce those few who were tempted to open it in the first place.

    The cultural analyses focused on the literature of Classical Greece and its predecessors in the Middle East. I have always been proud of my point that, as I put it, the “first word of Western culture,” menin, which begins the Iliad, the accusative of menis or rage, refers specifically to resentment.

    Achilles’ resentful rage against Agamemnon, whose role as leader of the expedition to Troy makes him invulnerable to a personal act of revenge, may be said to define the minimal level of social complexity that permits the creation of what we can call world literature. And I think you must agree that not only is nothing preceding the Iliad of comparable literary quality, but no work of literature written since is qualitatively superior to it, neither as poetry nor as drama.

    This makes a significant point in itself about the esthetic, and about “culture” in general. You can enjoy the Egyptian Tale of Sinuhe or the Babylonian Gilgamesh Epic, and no doubt reading them in the original would provide a more satisfying experience, but I cannot believe that either would as does the Iliad measure up to the masterpieces of modern literature. And although figural art does not admit of such a clear dichotomy, the “Greek smile” of humanization reflects much the same break, which corresponds to that between what Eric Voegelin called “compact” and “differentiated” societies, or between the “Axial” religions and their precursors.

    TEOC concluded in medias res after discussing Sappho and the trio of classical Greek tragedians; there was clearly no way to pursue the discussion by going through the entirety of the Western literary canon. I would some years later go on to discuss the esthetics of post-Classical culture in Originary Thinking (1993).


    It is no doubt understandable that from language I had gone on to “culture” focused on literature, given that the study of literature was where I had sought my insights in the first place. But had I to do it all over again, I might have done better to pursue the relationship, which I have foregrounded in recent years, between language and religion, the sacred and the significant. It has taken me some time to draw from Roy Rappaport’s intuition, expressed in Ritual and Religion in the Making of Humanity (Cambridge, 1999), that language and religion were coeval, that they were in effect two aspects of the same underlying phenomenon. At the time of TEOC, I still considered the sacred a derivative of language rather than a common element of the originary event.

    The anthropological basis of Derrida’s différance is the need to defer appropriation, to stand back from the dangerously desirable object, thereby turning the gesture of appetite into a sign. But this act of representation is at the same time an act of reverence, an acknowledgement that the object itself is sacred and cannot be immediately appropriated, that its locus and form must continue to be respected even after its corporal reality has been destroyed.

    Thus sacrality and significance are at base different degrees of the same phenomenon. Just as the objects of faith unite the community of believers as objects of reverence, each word in the language belongs to a communally shared corpus in which every speaker has a stake—as we witness in serious quarrels over changing meanings and constructions. The institutional differentiation created by the rites of established religions overlays but does not negate this common origin. The value of generative anthropology is in grounding this commonality, that is, taking it beyond metaphor, tracing it back to the evenemential origin of language and the sacred.

    This human-scientific perspective should not be taken to imply that GA’s ultimate goal is to construct an organon that brings together, as if in an evolutionary tree, the branches of anthropological knowledge. Such an attempt can only be self-defeating. Cultural phenomena do not develop like living creatures by branching out from few to many species; their interactions, unlike those in the natural world, lead to constant recombinations and mutual transformations. Thus the institution of “literature” has developed by sharing features of religious scripture and the other arts; conversely theater, opera, and cinema incorporate and modify literary elements. The history of culture must be constantly rewritten as it reveals to us new aspects and potentialities of ancestral materials.

    To take the Iliad as an example, that we can read it in the modern world as a work of fiction when it had earlier been recited at religious festivals as the equivalent of an oral scripture must be understood in the context of what we call “Western civilization” as much as in that of the Ionian context in which it was created. We must study the Homeric poems’ formative role in creating the very notion of literature, which in the West detached itself from religious practices earlier and more thoroughly than in the other major cultures, which only later borrowed such Western forms as novel and film.


    After TEOC, I wisely avoided attempting further quasi-Hegelian syntheses. After a 1989 Twayne book on Madame Bovary, I published the following year a comparative essay on Judaism and Christianity entitled Science and Faith. I had first written this work in French, but by this time I had come to see that my future publications would be in English, and found an American publisher after revising and translating it. In this slim volume, rather than attempting to outline a general theory of religion, I chose to examine a single passage from each of the two Testaments as representative of the two moments of Judeo-Christianity: first, the scene at the burning bush in Exodus 3 where God reveals his “name” to Moses as ehyeh asher ehyeh, I am that/what I am; then the passage in Acts 8-9 that recounts Saul’s vision on the road to Damascus and his subsequent conversion. Since that time I have often returned to the comparison of these two religions, the one the “elder brother” of the other, without seeking to establish a definitive dialectic; in the context of Western civilization, both are living cultural systems, evolving in constant conversation with each other as they are tested by history.

    My attempts at consolidating the lessons of GA as a methodology, focused particularly on esthetic and literary history, were renewed in 1993 with Originary Thinking. This volume was divided into two parts; the first sought to provide an overview of GA, and the second, to define a historical series of esthetic modes that could be applied to the evolution of the arts in the West: classical, neo-classical, romantic, post-romantic, modernist, and post-modern.

    In particular, by way of focusing on the contrast between the classical esthetic discussed in TEOC and that of the modern Judeo-Christian world, I emphasized the theatrical self-consciousness by which the post-classical theater distinguished itself from its classical models by thematizing, in contrast with the ancients, the theatrical scene. This thematization is notably epitomized by the “play-within-the-play” structure frequent in Shakespeare. But even in its absence, not only Shakespeare’s protagonists but those, for example, of Racine, who eschewed the scenic complexities of the English stage, express a constant awareness of their imprisoning presence on stage so to speak  as sacrificial victims who seek unsuccessfully to flee its fatality. Like Hamlet, Hippolyte in Phèdre begins the play by expressing the desire to depart, but Racine’s stage-world, bounded by the “unities” of time and place, allows not even a temporary escape. Neither, one might say, did Homer’s, but Achilles’ awareness of his inescapable destiny was not defined for a theatrical audience forced to share the protagonist’s sense of the stage as a place of fatality.


    It was during the late 1980s and 90s that the notion of generative anthropology began to find institutional expression. When Kenneth Mayers, a Comp Lit student whose main field of interest was North African language and culture, took a French literature course with me where I spoke about my research, he encouraged me to give a seminar focused exclusively on GA. This inspired me to add such a course to the catalog, and as a consequence, in 1987, I taught my first seminar on GA in the French Department. During this period I made the acquaintance of Richard van Oort through the intermediary of Professor Toby Foshay, who had visited me in Los Angeles. Richard was very interested in GA, but chose to study at UC Irvine rather than UCLA, given its exchange program which brought Derrida to California on a regular basis. The result was that Richard attended a couple of these seminars along with several other English and Comp Lit students from UCI, including Marina Ludwigs and Peter Goldman. This was the beginning of the formation of the group that a couple of decades later would found the GASC.

    The “coming out” of GA as a way of thinking can be dated from our first conference at UCLA in 1990, to which we invited as keynote speaker Marvin Harris, the late distinguished professor of anthropology perhaps best remembered for his support for the “materialist” thesis that the Aztecs and Incas practiced extensive human sacrifice because there were no suitable large meat animals in the Americas.

    At the dawn of the Internet in the early 90s I created the GAlist, which has continued ever since. Then in 1995, Matt Schneider, Richard van Oort, the much regretted Tom Bertonneau, and I founded Anthropoetics, which has just completed its 28th year of publication. It was Tom who gave the journal its name, and his sister Denise Sollenne designed its logo. Also during the 1990s, I sponsored a series of talks at the UCLA Society for the Study of Religion, which was chaired by David Rapoport in the Department of Political Science. Among the speakers were Tom and Matt as well as several others from the GA seminars. The GA contribution to this informal group served as a catalyst toward the creation, also in 1995, of the UCLA Center for the Study of Religion, for which occasion René Girard was invited down from Stanford to give the keynote address.

    [to be continued]
  • Origins of Generative Anthropology

    Although René Girard never actually spoke of an originary event, he clearly thought of his scapegoat model as the equivalent. He saw the advent of “emissary murder,” the collective killing of a marginal member of the social group, as the true origin of humanity, although he did not conceive it as an event in the sense of remaining as a common memory to which the group could refer and which it could repeat as ritual, but rather as a pattern of behavior to which all the elements of human culture could eventually be traced. The focusing of all aggression on a single individual chosen for his marginality would purge the group of its mimetic tension, so that the murder, originally spontaneous, would presumably become a repeated, premeditated action.

    Girard did not think it necessary to propose how these murders would be ritualized, leaving the reader with the sense that they remained spontaneous for an indefinite length of time. It is easy to see that the source of the emissary model is the Crucifixion, with its anticipation in the Akedah or binding of Isaac by Abraham, but the far from obvious passage from a marginal, anonymous victim to one central and unique is taken for granted rather than explained, and in particular not brought into relation with the transition from egalitarian to hierarchical society begun some 10,000 years ago.

    It should suffice to recall that all known cave art focuses insistently on collective animal-hunting scenes and displays not a single “emissary murder.” And from an alimentary perspective, killing a member of the group, even if he were to be eaten, would hardly resolve the problem of finding a substitute for the primate Alpha-Beta… distribution model, which we must assume had become infeasible as proto-human mimetic rivalries became stronger.

    Nevertheless, the simple idea of a scene centered on an object of desire, even a scapegoat, was sufficient to allow me to formulate the first version of the originary hypothesis, in which the central victim as the focus of the action became, whether before or after its death, the common referent of an ostensive gesture shared by all members of the group, which could be understood as the first (linguistic) sign. Given that language, unlike the opposable thumb, is not an individual trait but a collective phenomenon, its emergence could not have been the result of a genetic modification (the “language gene”) granting individual beneficiaries access to language, but of the presumably evolving intelligence of protohumans which, while benefiting them in obvious ways, also posed an increasing problem of mimetic rivalry. Readers of these Chronicles will be familiar with my argument, which sees in deferral, Derrida’s différance, the fundamental difference between animal signaling and human semiotic communication.

    I therefore described this originary ostensive gesture as a movement toward appropriating the object that had been aborted for fear of conflict. To maintain the peace, the members of the group needed to share a sacralizing/interdictive focus on the central victim that prevented them from aggressing it, and the deferring sign was their means. That the origin of language must have occurred in a collective scene rather than through haphazard interactions within the community was the first principle of this new way of thinking about the human and its language.

    Indeed, the scene is as fundamental and unique to the human as the sign and the deferring interdiction of the central object that took place on it. Just as pointing in the human joint-shared-attention model is not practiced even by apes, so the center-focused scene is a purely human phenomenon. For example, Frisch’s bee-dance instructing other bees where to fly for a new supply of pollen is not a scene but a demonstration communicated by the explorer bee to others through individual physical contact. In contrast, all human interactions are potentially scenic, implying a tentative agreement to put all other activities aside in order to focus on a common object, whether a conversation between two people or a sports event with 50,000 spectators.

    As I showed in The Scenic Imagination (2007), in the pre-Darwinian era, in the absence of a notion of biological evolution, if one wanted to replace the Genesis account with a rationalistic description of the origin of language, the necessity of imagining humans like ourselves, yet not yet able to use language, made it impossible to conceive a likely context for the necessary emergence of language. Rousseau concisely expressed this paradox in his Discours sur origine de l’inégalité: la parole paraît avoir été fort nécessaire, pour établir l’usage de la parole: speech appears to have been most necessary, in order to establish the use of speech.

    And the paradox is precisely the point: the necessity of language and its absence can coexist only for the duration of an instant, or in anthropological terms, an event. Indeed, Rousseau’s few paragraphs on the subject demonstrate more insight into the question of language origin than any of the academic writings of our era, most notably in his insistence that on ne conçoit ni la nécessité de cette invention, ni sa possibilité, si elle ne fut pas indispensable: we cannot conceive either the necessity or the possibility of this invention if it was not indispensable. In a word, necessity was the mother of the invention of language, a point that no accredited student of the question has taken seriously.


    I can recall the moment at which I conceived the germ of the originary hypothesis. It was at Hopkins toward the end of my stay. I had been reflecting on the origin of the declarative sentence from the standpoint of a subject to which was then added a predicate, and later published an article on the subject: “L’origine des structures linguistiques élémentaires” (Archives et documents de la société d’histoire et d’épistémologie des sciences du langage 4, [1984], 1-21). It seemed to me that we intuitively understand the subject as the “origin” of the sentence, which the predicate then tells us something about, as the topic-comment structure of, e.g., Japanese makes explicit. This conception led me to posit the ostensive as the most primitive utterance-form, where the subject sufficed to constitute a complete utterance. With this in mind, I was standing just inside the entrance to the university library when I had the idea of combining this notion of the ostensive with Girard’s scapegoating scene, the victim, either before or after his immolation, being pointed at by the participants. I cannot recall exactly how far this intuition went at the time, but it was definitely a turning point.

    Afterward I spoke to Girard and he arranged for me to give a talk to the department about this new idea. The talk was attended by a few students and perhaps one or two colleagues. When I had finished, Girard said to me that sometimes great ideas are first articulated in such modest circumstances. I much appreciated this encouragement over the months I spent composing The Origin of Language.

    The introduction to the book, written in 1980, makes the point that “scenes of origin” had fallen under a taboo in the human sciences. That taboo, which historians often exemplify by the ban on theories of language origin (along with proposals for a universal language) announced by the Société Linguistique de Paris in 1866, has endured ever since. Indeed, whether or not our civilization will one day recognize the necessity of an evenemential origin for what is in effect the origin of evenementiality itself, it is remarkable that this taboo should have endured nearly two centuries without being seriously challenged, and that my own challenge to it has been met, not by condemnation or ridicule, but by silence.

    That this taboo remains in full force was demonstrated to me last year, when at a conference on “the event” organized in Stockholm by Marina Ludwigs, a younger co-panelist explained his skepticism about the originary hypothesis as simply reflecting a difference of generations. I refrained from pointing out to him that even my birth was quite a bit posterior to 1866.

    More generally, the idea that there is not just a gradual evolution but a break between humans and animals has fallen under a taboo all the stronger in that it is experienced in the human sciences as just the opposite: as a liberation from the “unscientific” biblical notion that humans are qualitatively different from other species rather than simply quantitatively more intellectually gifted. Science is by nature uniformitarian, and ontological uniqueness is a scandal. For example, it is impossible to read an account of astronomical research in our cosmic vicinity without the insistent mention of the suitability of exoplanets, as well as of the planets and moons of our own solar system, for life, despite the utter absence of evidence found so far.

    As I have said many times, the persistence of this taboo only increases my conviction that GA’s willingness to breach it is a sign of its rightness. The idea that language began in an event—which does not imply that it was the equivalent of a revelation from on high or that this event was a unique occurrence in no way anticipated by previous ones—is indeed a truism. There is no intelligent way of understanding how a community can evolve a language that does not involve a collective scene in which the sign or signs are exchanged; as Rousseau already saw, how otherwise would everyone know what the sign was supposed to mean? And the fact that even our fellow apes don’t communicate by pointing only adds substance to this argument.

    The sacred

    Understanding this taboo tells us a great deal about the sacred. Although the originary hypothesis makes no supernatural claims, it provokes much the same reaction as an appeal to a supernatural being as the source of language. This makes clear that the human uniqueness of the scenic and the eventfulness associated with it, which provoke the same rejection in those who want to eliminate questions of the sacred from anthropology, demonstrate on the contrary that:

      1. The phenomenon of the sacred can be understood in human behavior without the necessity of evoking the supernatural, and
      2. The human cannot be understood without this phenomenon.

    The sacred is an essential human trait that need not be associated with belief in a divinity. Roy Rappaport’s essential point about the human coevality of the sacred and language is independent of transcendental beliefs. Indeed, as reflection on the Axial age makes clear, the immanentist beliefs that “sacralize” worldly objects, which modern civilization has largely rejected, come much closer than modern religions to instancing a common-sense notion of the sacred as a fundamental element of the human universe.

    Why indeed is the sacrificial victim in a feast interdicted to the participants until the moment of its division and distribution? No divinity is necessary to explain this interdiction, nor the “fear and trembling” that surrounds it. It suffices to recall our hesitation to take the last canapé on a serving tray. The transcendentalist religions, whose emergence marked the liberation of humanity from the “compact” societies of earlier times, like the metaphysical speculations begun in Greece, attempted to understand these fundamental human phenomena in what we may call proto-anthropological terms, independently of the worldly objects that the immanentist religions had invested with sacred powers. What the Axial age discovered was that these powers, rather than being inherent in worldly objects (e.g., that canapé), were the effect of the human desires invested in these objects, and that these desires with their dangerous mimetic potential were the real sign of sacrality.

    This reflection permits us to separate the sacred from religion proper without the necessity of subscribing to the humanist sacralization of “Humanity” in the place of God. We need only claim that the function of the sacred in human life is to protect us from self-destruction through our tendency to mimetic conflict. The sacred interdictions that inhabit our soul or conscience are not reflexive inhibitions like those of Pavlov’s dogs; they contain a conscious realization that certain acts are forbidden because they are potentially incompatible with the survival of humanity itself. The well-known duplicity of sacred terms, beginning with the French sacrer meaning “to curse,” is demystified by the simple realization that sacrality and interdiction focus on the same phenomenon. Save that sacrality goes farther than interdiction, in that we are providentially allowed access to the sacred object of common desire under conditions that affirm rather than contest the order of the community: in the sacred feast.


    That these fundamental truths have become accessible to us for the first time at this historical moment can be explained as a paradoxical effect of the widespread decline of fideistic morality and of such practices as churchgoing among the faithful of the Judeo-Christian religions. The widespread sense that the religious element in our society must be preserved cannot be fulfilled simply by turning back the clock. Nor is the new understanding that I am proposing a new “belief system” or substitute for religion. But this understanding should indeed increase our respect for the anthropological intelligence implicit in religious scriptures and practices—the source of Girard’s greatest intuitions—and consequently encourage us, whether or not to engage in these practices, in any case to honor the great religions as indispensable sources of human self-knowledge.

  • Prolegomenon to an intellectual autobiography

    Is it useful to seek a connection between my upbringing in the Bronx during the silent generation and the “new way of thinking” I named generative anthropology? Certainly not in the sense that GA would correspond to what Lucien Goldmann called the vision du monde of the social group to which I belonged, however that group is conceived. But my good fortune in grounding a fairly successful academic career on a theory that, although it has attracted a small but loyal group of younger literary scholars, has been generally ignored by the social sciences of anthropology, linguistics, and religious studies to which its chief conclusions belong, can for better or worse be attributed to my generational situation.

    As I like to tell younger scholars who find it hard to believe, at the time when I obtained my PhD, there was a shortage of candidates for university teaching jobs. There was no need for an MLA Job List because university departments still hired under the “old boy” system (which included a certain number of “girls”), and above all, in post-war America the universities were undergoing a tremendous expansion, between the GI Bill and the Baby Boom, which lasted more or less through the 1970s. It was going strong in the 60s, when I got my first and last jobs. After two years each at SUNY-Fredonia and Indiana University, I was invited to apply to UCLA, and began teaching there in 1969—the year of the Manson murders, but also of our moon landing.

    My unorthodox ideas were surely easier to conceive (1) with tenure (2) in a literature rather than a social science department. This was the era of “French Theory,” and although I was less than enthusiastic about much of it, it generated many ideas worthy of interest. I was particularly impressed by Derrida, whose thought, although it never abandoned its ultimate faith in metaphysics even while deconstructing it, struck me as informed by a very sharp if unrecognized sense of the anthropological. At the same time, I was particularly fortunate to study with René Girard, the leading thinker of what can now be seen as a Jerusalem-focused counterpart to Athenian post-metaphysics.

    I was able to teach seminars on critical theory including GA while directing over 30 dissertations. I always got along well with my students, and am proud to say that every one who actually started work on a PhD with me finished with the degree. And I got along well enough with my colleagues, being twice chosen to chair the department.

    In 1995, Tom Bertonneau, Matt Schneider, Richard van Oort and I created the online journal Anthropoetics, which is now about to publish its 57th issue, volume 28, 2. And in 2007, Andrew Bartlett created a group eventually called the Generative Anthropology Society and Conference (GASC), which has held an annual conference every June since then, with the exception of the COVID year 2020.

    It has been a source of real satisfaction that although GA has never been fashionable, it has nonetheless remained productive over four decades. To dare to uphold over forty years a seemingly old-fashioned theory of the origin of language and culture, with a scene of origin no less—shades of Freud’s father-murder in Totem and Taboo!—requires a personality that combines a visceral faith in oneself with a liberal amount of chutzpah.


    If the reader has followed me so far, he or she might then be interested in seeking to understand how I came up with GA, and have felt over the decades ever more convinced that it is not only fundamentally “true”—the best way to explain human origin, in contrast with the piecemeal investigations of those who consider such broad theorizing naïve—but that it constitutes anthropological thinking’s only authentic means of escape from the Nietzschean “prison-house” of (metaphysical) language.

    Not that I would deny the value of empirical studies of language origin, among which I would single out From Signal to Symbol: The Evolution of Language by Ronald J. Planer and Kim Sterelny (MIT, 2021). But my contention is that failure to take into consideration the communal and scenic nature of language makes these authors unable to provide a basis for understanding what language is—what religion is, what the human is—so as to produce a valid anthropology.

    One point of the “old anthropology” that has regrettably been lost to the current generation is that expressed by Roy Rappaport in his Ritual and Religion in the Making of Humanity (Cambridge, 1999): that language and religion are coeval, born in the same act, at the birth of what we can simply call the human. Durkheim or Fraser, Boas or Malinowski would have had no problem with this assertion. I find it scandalous that today’s social sciences have often seemed to abandon all regard for religion even as a historical phenomenon.

    That the originary hypothesis, although formulated in my The Origin of Language (UCP, 1981) as a thesis about the origin of language alone, has implications that go well beyond the domain of linguistics, explains my decision to call GA a “new way of thinking.” In my various presentations of the hypothesis I have sought to observe Ockham’s razor in keeping its presuppositions to a minimum; literary scholars who have found it of interest as variant of French Theory need not feel obliged to deal with its broader scientific claims.

    I shall return to these themes later. But under the assumption that the reader is tentatively willing to consider the originary hypothesis as a significant contribution to humanity’s self-understanding, I will pursue this attempt to explain how I came to propose it.


    I was born in 1941 in Parkchester, the Bronx, to a middle-class Jewish family. My father, who had heroically completed his legal studies in 1933, in the depths of the depression, while working full-time in the Post Office, was faced with having to work without pay as a supernumerary in order to obtain employment as a lawyer. And so, like many other young men of his generation, he wound up spending his entire career in the Post Office and never practicing his intended profession. He received a promotion to foreman in 1945, but was unable to adjust to working on the night shift—I believe the real problem was that he felt uncomfortable supervising others. As a result, after a few months, he renounced his new position and remained a postal clerk until retirement.

    My mother, born to a wealthier family than my father’s, but whose own father had abandoned her mother (who is said to have subsequently died attempting to give herself an abortion), was brought up by her aunt, as what Balzac called a parent pauvre. Nonetheless, in her youth, she moved in higher circles and was employed as an executive secretary in a prestigious firm. But she gave up her job when I was born, and returned to work only when I entered kindergarten in 1946, after which she was employed in various secretarial jobs for New York City, the last of which was a supervisory position. On retirement, like many of those in similar circumstances, they purchased a condo in south Florida where they spent the rest of their lives.

    I remained an only child. I never thought to ask my parents why they had decided this, when most families like ours had two children, even three, although one-child families were far from unusual. In any case, those early years spent with my mother were of great significance. For one thing, they left me with a general preference for women as interlocutors; although I have had many male friends, I tend to feel more at ease with women, who are, in Girardian terms, less inclined to mimetic rivalry over intellectual matters. My mother took me with her to museums and Manhattan department stores. I took advantage of her companionship to learn to read before entering school, and composed little stories on her portable typewriter.

    Perhaps my moment of greatest glory occurred in kindergarten, when the teacher held up a book before the class and I read out the title: Where Are the Apples? Today this would be unexceptional, but in 1946 I was the only child in a class of over 40 who could read. Thus I was advanced early in the next school year from the first to the second grade.

    Having been used to my mother’s undivided attention, I tended to talk out in class and was often sent to the office of the assistant principal, with whom I developed a friendly relationship. Mr. Seideman sympathized with me, but my teachers from 4th to 6th grade did not. I was told  that my 5th grade teacher had had a nervous breakdown as a result of having me in her class, and my 6th grade teacher was openly hostile. At the end of the year when the students were voting on various class “prizes,” she berated one of my classmates for nominating me as “most likely to succeed.” I was finally voted, not the most intelligent, but the most romantic!

    Throughout my younger days, as a result of my parents’ sense that I was especially gifted, I had a sense of “election” independent of any particular achievements. This sense persisted through high school and college. In my first year at Columbia I majored in mathematics and was first in my class, but in my second year, in which I was exposed to graduate-level math classes, my grades were not particularly brilliant. In retrospect, this sink-or-swim policy was actually a good thing; to belong in mathematics, you really have to live it, and either understand it with little effort or treat it as a labor of love. (Things might well have been different had there been personal computers in those days…)

    As a result, before the end of my second year, I decided to change my major to French, having been introduced to that language during the previous summer. Unlike high school language teachers, my instructors were all native speakers of French, and I eagerly immersed myself in French culture and learned to speak more or less without an accent, although I would not set foot in France until 1967, after I had finished my PhD.


    As a doctoral student in the Romance Languages Department at Johns Hopkins I had the good fortune to study with René Girard before he became well-known with his first major book, Mensonge romantique et vérité romanesque, which appeared in 1961, during my first year of study. I believe I was his first PhD directee, although the university could not confirm this; in any case, of those who later attended gatherings focused on his work, I was his senior student and the only one who had not come to JHU explicitly to study with him. Throughout the years he was very kind and helpful to me; his coolness in his declining years (after having rejected my anthropological theories) could not destroy my sense of gratitude both for his help and friendship, and for the example of his thought.

    Given my sense of “election,” I had always felt that I should create what I would eventually call a “new way of thinking,” and this before I knew what this “way” would turn out to be. Having been introduced by Alain Cohen, a UCLA PhD who taught at UC San Diego, to the Batesonian school, and in particular to the notion of “pragmatic paradox” in Watzlawick, Beavan, and Jackson’s 1967 Pragmatics of Human Communication, my first efforts in this direction involved what I called “paradoxical esthetics” or l’esthétique paradoxale, which led to a volume of essays published by Gallimard on the recommendation of Michel Deguy, a philosopher and poet with whom I remained friends until the end of his life.

    Girard invited me as visiting professor to Hopkins in Fall 1977, after I had been chairman of the UCLA French Department, hoping to offer me a position on the faculty. This was not to be. Yet I was even then more relieved than disappointed not to be working side by side with Girard at a time when I had not yet fully developed my own ideas.

    And it was during this visit to Baltimore that I first glimpsed what would become the originary hypothesis, the foundation of generative anthropology—at the time, wholly in the context of language. Whence The Origin of Language: A Formal Theory of Representation, which I began to write directly on returning from my Hopkins visit and would be published by UC Press in 1981.

    [to be continued]
  • Religion and Originary Thinking

    On one of those conservative websites that I follow to boost my morale, I recently read a piece that reminded me that GA has a potentially healing role to play in the current moral sickness that is besetting our civilization.

    The first four paragraphs suffice to make the point:

    The devolution of American society began when moral relativism supplanted biblical truth in education, government, and the family.

    Beginning in the late 1940s with the Supreme Court’s Everson v. Board of Education ruling and onward, our government and educational system have turned their backs on absolute truth to embrace Marxism, which aims to remove Christianity from all spheres of society.

    The moral erosion proves obvious in a recent Barna poll that found, “Millennials are significantly less likely to believe in the existence of absolute moral truth or that God is the basis of all truth.”

    The study also noted that “Millennials have less respect for life, in general,” and that “they are less than half as likely as other adults to say that life is sacred. They are twice as likely to diminish the value of human life by describing human beings as either ‘material substance only’ or their very existence as ‘an illusion.’”

    This article, by Kathleen Bustamante (https://thefederalist.com/2023/04/03/as-moral-relativism-replaces-christian-values-americans-will-suffer-more-mass-shootings/?utm_medium=email&utm_source=ae&utm_campaign=memail&seyid=57938?utm_campaign=ACTENGAGE ) is far from the level of sophistication of Colin Wilson, let alone Girard or Derrida, but its diagnosis of moral relativism and what non-academic conservatives call “Marxism” as a synonym for Leftist materialism is clear enough. What the author calls the “devolution of American society” is a fact, and one whose geographical range is by no means limited to the USA.

    Like so many other articles of a similar nature, it offers, as the unique alternative to the moral state defined by reducing the human to “material substance only,” a return to belief in Christianity. The specificity of Christianity is hardly the point; Ms Bustamante would surely accept Judaism and no doubt Islam as affirming a similar belief that “God is the basis of all truth.”

    As readers of these Chronicles know, I do not see GA as incompatible with such beliefs, so long as it is understood that the truth attributed to religious scriptures cannot be confronted directly with the truth of empirical reality. The point to retain is that language is not in the first place a set of propositions ultimately reducible to something like Wittgenstein’s Tractatus. Logic does not explain its origin nor its originary purpose, and it is a category error to think of language’s primary function as a neutral means of expressing Ideas like those Plato envisaged as casting their shadows on the walls of the cave.

    In a word, the lock on the prison-house of language has been picked. Logic is not thereby “transcended,” but put in its place; the originary function of language and the source of all the others is the one inaugurated in the hypothetical originary event, which as a model of human interaction is more effectively described in the language of scripture than in that of philosophy.

    Nearly 200 years after Darwin, we need no longer argue about the scientific status of Genesis and similar scriptures. That the anthropological truth of these texts cannot be extracted from them by treating them as empirical descriptions is universally accepted among educated people, and Ms. Bustamante is certainly not arguing for the idea that the universe was created in 4004 BC. What she cares about is what all of us should care about: the acceptance of our fundamental intuition of moral equality, not as an absolute, but to the end of permitting the human community to flourish. This intuition is rooted in the “sense of the sacred” that all of us share willy-nilly as the root of human language and culture.


    I have often pointed out that the problem with today’s so-called “Marxists” is not that they deny the principle of moral equality. What else is Wokism but the insistence on moral equality translated into a principle of equality of worldly opportunity that the Woke call “equity”? When the Left condemns Christians and conservatives in general, it is not because they demand morality, but because they don’t demand enough “morality,” meaning for example that street criminals should be punished as little as possible because they have not been given the same opportunities as middle-class people. The problem of today’s irreligious youth is not that they reject morality, but that they interpret it in self-serving and perverse terms. What these people reject, in a word, is ethical wisdom, judgment that reflects the needs of the social order that may not be apparent to the isolated individual, but that he is expected to accept on faith as a member of the community.

    GA understands that the ethical doctrines of religion must adapt what can be called our moral instinct to the needs of society, applying them as ethical principles designed to maintain the flourishing of the social order. Religion adds to the moral model that is at the root of our conscience or “soul” an ethic that takes into consideration the needs of the community, which necessarily limit the universal application of moral equality. That attempts to implement “socialism” founded on this principle have inevitably produced tyrannical autocracies offers a repeated demonstration of its inadequacy as the basis for an ethic. Its operation must be restrained by an independent source of ethical values such as the Axial religions and generative anthropology provide.

    What those of us who have adopted GA’s “new way of thinking” can accomplish is to furnish a supplementary rationale to Christian and other religious moral doctrines that can reinforce their authority beyond the simple appeal to faith in an inherited tradition. GA allows us to understand that from the beginning, the function of morality has never been to exhibit its own perfection, but to provide the basis for the ethic that will permit the survival and flourishing of the community. Abstract morality of the kind that philosophers like to reflect on through “trolley problems” and the like is academic in the unflattering sense of the term. Religion, and language itself, came into being to preserve the human community. The moral “instinct” that the Woke arrogantly seek to extend beyond its normal limits is not absolute; it exists in the service of maintaining humanity’s survival through the generations. Whence our minimalist originary hypothesis.

    In the terms of this hypothesis, the problem that the Left’s epistemology of resentment focuses on is the disparity between the harmony of the feast that terminates the originary event and the historically much later hierarchical social orders that in one way or another divide their members into castes, groups of different status. Before the emergence of bourgeois society in the industrial era, all developed societies were divided into such castes, whether in the strict Indian sense or in that of Old-Regime Europe’s “estates.”


    Significantly, the current Woke Left is only peripherally focused on the Marxist distinction among economic classes or even that of relative wealth. Instead, its central focus is on detecting inequities as manifested by the statistical inferiority of ascriptive categories thereupon classified as victimary. In the US, the archetype of the victimary category is that of African-Americans, the majority of whom are descended from slaves; other such categories are as far as possible associated with historical examples of discrimination. The expected Rawlsian critique that the society’s resources are inequitably distributed remains implicit; the focus is on arousing the guilt of the white and “white-adjacent” majority via the spectacle of racial inequality, while paying lip-service to the critique of its overall economic basis.

    Wokism is often referred to semi-ironically as a new “religion,” making religion a synonym for transcendental ethical faith independently of its historical origin. But it is in the measure that Wokism differs from Judeo-Christianity that we observe its anthropological inadequacy.


    The simplest understanding of Jaspers’ category of “Axial” religions is that, like Voegelin’s classification of societies as “compact” or “free,” the pre-Axial religions presupposed the sacrality of the current social order, making the difference between its ethic and originary egalitarianism irrelevant. Such religions are promulgated from the top down; the present order is sacred and the people are ordained by the divinity to obey their temporal rulers. It is easy enough to understand why the religions of the archaic empires would emphasize the “divine right” of their rulers and that their hierarchical governance structures would be reflected in their religious doctrines.

    The opening-up of religion in the Axial era to a universalism no longer associated with a particular political structure, often described as the passage from religions of immanence to those of transcendence (see Chronicles 758 and 762), is a product of what we may call the first wave of modernity: the increasingly common understanding that the human community is composed of different sub-communities, such that no individual society, however powerful or territorially extended, constitutes a self-sufficient human universe. The Axial conception of the sacred is as a transcendent universal that extends beyond any specific social order, whether through the ecumenical pluralism of polytheist pantheons or as a generalizing perspective such as we witness in Xenophanes’ speculation that horses’ gods would look like horses. Jewish monotheism, no doubt influenced by Akhenaton’s “henotheistic” innovation, is founded on the simple but revolutionary intuition that the sacred is everywhere the same, functioning to providentially maintain the human social order in different contexts but with the same purpose. Christianity is of all religions the most conscious of the distinction between the sacred and profane worlds; its dichotomous opposition of the kingdoms of this world to God’s kingdom in Heaven, as exemplified by its precept to render their due unto both God and Caesar, provides the clearest expression of this distinction.

    The transcendental Axial religions embody greater anthropological truth than the immanentist ones of the archaic empires because, born from the contact of different societies, each in its own way understands that the universal truth of the human is not confined to any specific social order but must transcend the particularities of each. The early chapters of Genesis illustrate this insight in the failure of Babel to unify its different communities. Humanity’s originary unity becomes something only God the embodiment of the sacred itself can conceive, or lacking this, a Pantheon of gods whose plurality suggests that of the diversity of human societies. For in their origin, the gods in the various classical pantheons were all local divinities who were “assigned” to different aspects of the world: the sea, the air, the underworld… by poets rather than prophets.


    Ms Bustamante is correct that the US, although born in revolution, did not throw out the baby with the bathwater and retained until the last few decades of its history its implicit Christian basis. Christianity had evolved throughout the medieval era into a plurinational religion, and even when split in two by the Reformation, retained sufficient unity to put together Europe’s still-surviving Westphalian system of nations. This system allowed the Industrial Revolution to spread from England to the rest of Europe and to the British and other European colonies as a community of Christian nations.

    But the revolutionary spirit born with the French Revolution was incompatible with Christianity, and even after France’s return to monarchy, the epistemology of resentment that it had liberated remained alive. The historical failure of Francis Fukuyama’s Hegelian “end of history” after the collapse of the USSR reflects the Christian West’s inability to contain this spirit despite its visible advantages in personal freedom and economic productivity. Although the Western model of liberal democracy, which created the scientific and technological conditions for modern society, remains despite its present turmoil unquestionably the most attractive for its own members and for migrants seeking a better life, not only has the demise of the USSR in 1991 not done away with the social force of the epistemology of resentment, but on the contrary, this pseudo-religion has become increasingly dominant throughout the world, and even in the heart of its most successful nation-states, the USA perhaps most of all. Rather than the source of inspiration that it had been for decades, today’s USA, with its increasingly uncivilized and lawless political life, seems more to be following the lead of Venezuela and Nicaragua than setting them an example. The Trump indictment is only the most recent of a series of catastrophic and disgraceful episodes.


    It may seem pretentious for me to claim that the Abrahamic religions that dominate the West should benefit from the blessings of GA in order to survive, but that is because GA is not yet taken seriously as an anthropology, which is to say, as science. My claim that Girard’s thought derived its most profound insights from Judeo-Christianity is not the equivalent of claiming that he owed his fame to his Christian faith. It is rather that he owed the quality of his analyses to his ability to understand the Judeo-Christian Bible’s anthropological implications, which GA’s originary hypothesis does little more than formalize.

    After decades during which they flirted with deconstruction and other post-metaphysical doctrines, today’s social sciences are rightly cautious of ungrounded speculation. But GA’s originary hypothesis, unlike even the most perceptive insights of “French theory,” obeys Ockham’s razor in its focus on explaining human reality in simple language. My Origin of Language presents a rigorous thesis and, above all, by grounding language in a scenic model of human behavior, avoids the metaphysical trap or “prison-house” that post-Hegelian thought had been trying to escape. The micro-analyses engaged in by the recent researchers on language origin are by no means without value, but in their careful examination of the bark and leaves of the trees, these studies provide no overall conception of the forest, the human community.

    Let me repeat once more that necessity is the mother of invention. Language could not have emerged gradually and imperceptibly through the accretion of small improvements. Each use of language is an event, and language could only have emerged in an event. For humanity needed language for a reason, and if the danger of conflict inherent in mimetic desire was not what it was invented to defend us against, I have yet to see anyone propose an alternative.

    But what I have seen—what we can all see—is that Genesis, if read with a minimum of insight, tells us a lot more about the origin of language than the totality of those micro-analyses. No, it doesn’t say that language was invented in order to prevent mimetic conflict; in fact, it says just the opposite: that it was with language that the germ of such conflict appeared. How true! But its authors were not prehistorians and certainly not Darwinians. If they saw language as the source of our fall, it wasn’t perverse but merely perceptive to claim that no, on the contrary, it was to prevent our definitive fall, our self-destruction, that language was invented. Our falling-away from Edenic perfection was the fallout from this invention—which has kept us alive until today despite all our slip-ups.

    I think that if the simple, tentative truths of the originary hypothesis can become generally accepted, not as dogma, but as a basis for further reflection and empirical research, the moral values whose loss is bewailed by Ms. Bustamante, and indeed the Christian faith that grounds them, will find a more hospitable terrain than it does today. For even the non-believer cannot help but admire the anthropological finesse of the Bible, both in itself and even in comparison with the sacred texts of other religions, all of which are nonetheless worthy contributions to our self-knowledge.